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00000cam a2200000Ma 4500 |
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ocn519367006 |
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OCoLC |
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20241006213017.0 |
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m o d |
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080214s2008 enkab obq 001 0 eng d |
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|a AZU
|b eng
|e pn
|c AZU
|d CNCGM
|d OCLCQ
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|d OCLCO
|d OCLCQ
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|d LOA
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|d PIFAG
|d ZCU
|d OCLCQ
|d U3W
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|d OCLCF
|d STF
|d WRM
|d NRAMU
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|d OCLCQ
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|a 271472165
|a 476240125
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|a 0195327632
|q (Cloth)
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|a 9780195327632
|q (Cloth)
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|a 0195327640
|q (Paper)
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|a 9780195327649
|q (Paper)
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|a 019971665X
|q (electronic bk.)
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| 020 |
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|a 9780199716654
|q (electronic bk.)
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| 035 |
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|a (OCoLC)519367006
|z (OCoLC)271472165
|z (OCoLC)476240125
|z (OCoLC)646766955
|z (OCoLC)815688770
|z (OCoLC)819501187
|z (OCoLC)821621790
|z (OCoLC)961492830
|z (OCoLC)962584914
|z (OCoLC)966204977
|z (OCoLC)988406360
|z (OCoLC)991918876
|z (OCoLC)1037930584
|z (OCoLC)1038620167
|z (OCoLC)1045471404
|z (OCoLC)1059034901
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|a a-ii---
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4 |
|a ML2075
|b B66 2008eb
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| 072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Booth, Gregory D.
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| 245 |
1 |
0 |
|a Behind the curtain :
|b making music in Mumbai's film studios /
|c Gregory D. Booth.
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| 260 |
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|a Oxford ;
|a New York :
|b Oxford University Press,
|c 2008.
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| 300 |
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|a 1 online resource (viii, 321 pages) :
|b illustrations, map
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a data file
|2 rda
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|a Includes bibliographical references (pages 295-299), filmography (p. 299-303) and index.
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0 |
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|a Print version record.
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|a History, technology, and a determinist milieu for Hindi film song. Popular music as film music ; Musicians and technology in the Mumbai film-music industry ; Changing structures in the Mumbai film industry -- The life of music in the Mumbai film industry. Origins, training, and "joining the line" ; Roles, relations, and the creative process ; Rehearsals, recordings, and economics -- Music, instruments, and meaning from musicians' perspectives. Orchestras and orchestral procedures, instrumental change, arranging, and programming ; Issues of style, genre, and value in Mumbai film music -- Conclusion : oral history, change, and accounts of human agency.
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| 520 |
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|a Introduction - Who is Anthony Gonsalves?. Part One - History, Technology, and a Determinist Milieu for Hindi Film Song. 1. Popular Music as Film Music. 3. Changing Structures in the Mumbai Film Industry. Part Two - The Life of Music in the Mumbai Film Industry. 4. Origins, Training, and "Joining the Line". 5. Roles, Relations, and the Creative Process. 6. Rehearsals, Recordings, and Economics. Part Three - Music, Instruments, and Meaning from Musicians' Perspectives. 7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming. 8. Issues of Style, Genre, a.
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| 650 |
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|a Motion picture music
|x Production and direction
|z India
|z Mumbai
|x History.
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| 650 |
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|a Motion picture music
|z India
|z Mumbai
|x History and criticism.
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| 650 |
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|a Motion picture industry
|z India
|z Mumbai
|x History.
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| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
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7 |
|a Motion picture industry
|2 fast
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| 650 |
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|a Motion picture music
|2 fast
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| 651 |
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|a India
|z Mumbai
|2 fast
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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| 655 |
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7 |
|a History
|2 fast
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| 758 |
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|i has work:
|a Behind the curtain (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGR4RGyGc6KjKJc43qP6Gb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Booth, Gregory D.
|t Behind the curtain.
|d Oxford ; New York : Oxford University Press, 2008
|w (DLC) 2008007201
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=415114
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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