Classical and Romantic performing practice 1750-1900 / Clive Brown.

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects o...

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Bibliographic Details
Main Author: Brown, Clive, 1947-
Format: eBook
Language:English
Published: Oxford ; New York : Oxford University Press, 1999.
Subjects:
Online Access:Click for online access

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100 1 |a Brown, Clive,  |d 1947-  |1 https://id.oclc.org/worldcat/entity/E39PBJmDhvKtd7HwXPYJJwfcyd 
245 1 0 |a Classical and Romantic performing practice 1750-1900 /  |c Clive Brown. 
260 |a Oxford ;  |a New York :  |b Oxford University Press,  |c 1999. 
300 |a 1 online resource (xiii, 662 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages 633-644) and index. 
505 0 |a Accentuation in theory -- Accentuation in practice -- The notation of accents and dynamics -- Articulation and phrasing -- Articulation and expression -- The notation of articulation and phrasing -- String bowing -- Tempo -- Alla breve -- Tempo terms -- Tempo modification -- Embellishment, ornamentation, and improvisation -- Appoggiaturas, trills, turns, and related ornaments -- Vibrato -- Portamento -- Paralipomena. 
520 |a The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Clive Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written thanit does to modern performers, and seeks to look beyond the notation to understand how composers might have expected. 
588 0 |a Print version record. 
546 |a English. 
650 0 |a Performance practice (Music)  |x History  |y 18th century. 
650 0 |a Performance practice (Music)  |x History  |y 19th century. 
650 7 |a MUSIC  |x Instruction & Study  |x Techniques.  |2 bisacsh 
650 7 |a Performance practice (Music)  |2 fast 
650 1 7 |a Uitvoeringspraktijk.  |2 gtt 
648 7 |a 1700-1899  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Brown, Clive, 1947-  |t Classical and Romantic performing practice 1750-1900.  |d Oxford ; New York : Oxford University Press, 1999  |w (DLC) 97050572 
856 4 0 |u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/7785  |y Click for online access 
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