Table of Contents:
  • pt. 1. Contexts: ch. 1. Prosody and purpose
  • ch. 2. Ars metrica
  • ch. 3. Rude and beggerly ryming: the romance tradition
  • ch. 4. A question of language: Italy and the shaping of Renaissance prosodic theory
  • ch. 5. Notes of instruction
  • pt. 2. Performances: ch. 6. A strange metre worthy to be embraced
  • ch. 7. Jasper Heywood's fourteeners
  • ch. 8. Gorboduc and dramatic blank verse
  • ch. 9. Heroic experiments
  • ch. 10. Speech and verse in later Elizabethan drama
  • ch. 11. True musical delight.