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ocn608623635 |
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OCoLC |
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20241006213017.0 |
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081009s2009 enka ob 100 0 eng d |
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|z 1841502480
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|a (OCoLC)608623635
|z (OCoLC)371197660
|z (OCoLC)646810264
|z (OCoLC)842287605
|z (OCoLC)872694837
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|a B06CB156-27C9-422B-AE0E-D2C28D0AFB1F
|b OverDrive, Inc.
|n http://www.overdrive.com
|
| 050 |
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4 |
|a N7433.8
|b .D535 2009eb
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| 072 |
|
7 |
|a ART
|x 046000
|2 bisacsh
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Digital visual culture :
|b theory and practice /
|c edited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner.
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| 260 |
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|a Bristol, U.K. :
|b Intellect,
|c 2009.
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| 300 |
|
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|a 1 online resource (128 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a data file
|2 rda
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| 490 |
1 |
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|a Computers and the History of Art Series ;
|v Yearbook 2006, v. 3
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| 504 |
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|a Includes bibliographical references.
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| 520 |
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|a Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer. The experience of arts computing in.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Front Cover; Preliminary Pages; Contents; Contributors; Introduction; Digital Creativity; Digital Spaces; Digital Presence; Digital Archive; Back Cover.
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| 650 |
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0 |
|a Computer art
|v Congresses.
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| 650 |
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0 |
|a Visual communication
|v Congresses.
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| 650 |
|
7 |
|a ART
|x Digital.
|2 bisacsh
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| 650 |
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7 |
|a Computer art
|2 fast
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| 650 |
|
7 |
|a Visual communication
|2 fast
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| 655 |
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7 |
|a Conference papers and proceedings
|2 fast
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| 700 |
1 |
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|a Bentkowska-Kafel, Anna.
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| 700 |
1 |
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|a Cashen, Trish.
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| 700 |
1 |
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|a Gardiner, Hazel.
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| 711 |
2 |
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|a Theory and Practice
|d (2005 :
|c London, England)
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| 711 |
2 |
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|a Fast Forward, Art History, Curation and Practice after Media
|d (2006 :
|c Birkbeck College.)
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| 758 |
|
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|i has work:
|a Digital visual culture (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGC4JrhDjDYYgRrpPWbHfm
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|t Digital visual culture.
|d Bristol ; New York : Intellect, 2009
|z 9781841502489
|z 1841502480
|w (OCoLC)262429352
|
| 830 |
|
0 |
|a Computers and the history of art ;
|v Yearbook 2006, v. 3.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=435027
|y Click for online access
|
| 903 |
|
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|a EBC-AC
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| 994 |
|
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|a 92
|b HCD
|