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00000cam a2200000 a 4500 |
| 001 |
ocn609589023 |
| 003 |
OCoLC |
| 005 |
20241006213017.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
100427s2010 enka ob 001 0 eng d |
| 010 |
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|z 2009028309
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| 040 |
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|a N$T
|b eng
|e pn
|c N$T
|d EBLCP
|d YDXCP
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|d OCLCQ
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|d OCLCQ
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| 019 |
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|a 590662121
|a 647884980
|a 694703177
|a 712987995
|a 1290059166
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| 020 |
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|a 9780203861370
|q (electronic bk.)
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| 020 |
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|a 020386137X
|q (electronic bk.)
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| 020 |
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|z 9780415471671
|q (hbk.)
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| 020 |
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|z 0415471672
|q (hbk.)
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| 020 |
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|z 9780415471688
|q (pbk.)
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| 020 |
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|z 0415471680
|q (pbk.)
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| 020 |
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|a 1135173834
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| 020 |
|
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|a 9781135173838
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| 020 |
|
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|a 1282575848
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| 020 |
|
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|a 9781282575844
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| 020 |
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|a 9786612575846
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| 020 |
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|a 6612575840
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| 024 |
7 |
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|a 10.4324/9780203861370
|2 doi
|
| 035 |
|
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|a (OCoLC)609589023
|z (OCoLC)590662121
|z (OCoLC)647884980
|z (OCoLC)694703177
|z (OCoLC)712987995
|z (OCoLC)1290059166
|
| 050 |
|
4 |
|a PN2075
|b .T94 2010eb
|
| 072 |
|
7 |
|a PER
|x 001000
|2 bisacsh
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Actor training /
|c edited by Alison Hodge.
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| 250 |
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|a 2nd ed.
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| 260 |
|
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|a London ;
|a New York :
|b Routledge,
|c 2010.
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| 300 |
|
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|a 1 online resource (xxvi, 336 pages) :
|b illustrations
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
0 |
|t Stanislavsky's system: pathways for the actor /
|r Sharon Marie Carnicke --
|t Meyerhold and Biomechanics /
|r Rrobert Leach --
|t Jacques Copeau: the quest for sincerity /
|r John Rudlin --
|r Michael Chekhov on the technique of acting: "was Don Quixote true to life?" /
|r Franc Chamberlain --
|t Michel Saint-Denis: training the complete actor /
|r Jane Baldwin --
|t The Knebel technique: active analysis in practice /
|r Sharon Marie Carnicke --
|t Brecht and actor training: on whose behalf do we act? /
|r Peter Thomson --
|t Joan Littlewood /
|r Clive Barker --
|t Strasberg, Adler and Meisner: method acting /
|r David Krasner --
|t Joseph Chaikin and aspects of actor training: possibilities rendered present /
|r Dorinda Hulton --
|t Peter Brook: transparency and the invisible network /
|r Lorna Marshall and David Williams --
|t Grotowski's vision of the actor: the search for contact /
|r Lisa Wolford --
|t Jacques Lecoq, Monika Pagneux and Philippe Gaulier: training for play, lightness and disobedience /
|r Simon Murray --
|t Training with Eugenio Barba: acting principles, the pre-expressive and "personal temperature" /
|r Ian Watson --
|t Ariane Mnouchkine and the Théâtre du Soleil: theatricalising history; the theatre as metaphor; the actor as signifier /
|r Helen E. Richardson --
|t Włodzimierz Staniewski : Gardzienice and the naturalised actor /
|r Alison Hodge --
|t Anne Bogart and SITI Company: creating the moment /
|r Royd Climenhaga --
|t Augusto Boal and the Theatre of the Oppressed /
|r Frances Babbage.
|
| 588 |
0 |
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|a Print version record.
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| 520 |
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|a Presents an introduction to how actor training shapes modern theatre.
|
| 546 |
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|a English.
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| 650 |
|
0 |
|a Acting
|x Study and teaching.
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Acting & Auditioning.
|2 bisacsh
|
| 650 |
|
7 |
|a Acting
|x Study and teaching
|2 fast
|
| 700 |
1 |
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|a Hodge, Alison,
|d 1959-
|1 https://id.oclc.org/worldcat/entity/E39PCjxg3HCYFC4Yyy8GW8TFgC
|
| 730 |
0 |
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|a Twentieth century actor training.
|
| 776 |
0 |
8 |
|i Print version:
|t Actor training.
|b 2nd ed.
|d London ; New York : Routledge, 2010
|z 9780415471671
|w (DLC) 2009028309
|w (OCoLC)426147290
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=481096
|y Click for online access
|
| 903 |
|
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|a EBC-AC
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| 994 |
|
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|a 92
|b HCD
|