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|a Filewod, Alan,
|d 1952-
|1 https://id.oclc.org/worldcat/entity/E39PCjDHpXPKhCMTBMWgCJ9PXq
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|a Collective encounters :
|b documentary theatre in English Canada /
|c Alan Filewod.
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|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c ©1987.
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|a 1 online resource (xi, 214 pages, 14 unnumbered pages of plates) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
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|a Includes bibliographical references (pages 199-206) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a CONTENTS -- PREFACE -- 1 The Evolution of Documentary Theatre in Canada -- 2 Documentary and Collective Creation: The Farm Show -- 3 Documentary and Popular History: Ten Lost Years -- 4 Documentary and Regionalism: No. 1 Hard and Paper Wheat -- 5 The Political Documentary: Buchans: A Mining Town -- 6 Documentary and Audience Intervention: It's About Time -- Conclusion: Canadian Documentary Theatre in Context -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S
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|a Alternative theatre has been one of Canada's strongest cultural institutions over the past twenty years. Coinciding with a major revival of nationalism in Canadian culture during the late 1960s, this strength was in evidence throughout the country, and provided fertile ground for the growth of an important dramatic genre: the collectively created documentary play. Typically inspired by a distinctive community or a political issue, these plays are created through a process that begins with a group of actors researching a specific issue or distinctive community, and ends with a performance aimed at a specific audience. Some of the works thus created represent the most popular plays ever staged in Canada. In this study of the genre as it has developed nationally, Alan Filewod examines six landmark examples in terms of their impact on their respective theatres and their role in Canada's cultural development generally. The plays include Theatre Passe Muraille's The Farm Show, Toronto Workshop Production's Ten Lost Years, Globe Theatre's No. 1 Hard, Twenty-fifth Street Theatre's Paper Wheat, The Mummers Troupe's Buchans: A Mining Town, and Catalyst Theatre's It's About Time. Each of these six plays represents an aspect of the documentary genre. Together they evoke a period of unprecedented activity in Canadian theatre and the wide range of social, political, and cultural issues that have driven it.
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|a In English.
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|a Experimental theater
|z Canada.
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|a Theater
|z Canada
|x History
|y 20th century.
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|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a Experimental theater
|2 fast
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|a Theater
|2 fast
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|a Canada
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3
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|a Dokumentartheater
|2 gnd
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|a Kanada
|2 gnd
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|a 1900-1999
|2 fast
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|a History
|2 fast
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|i has work:
|a Collective encounters (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGhbdQvC8x9xqhfDbQvY6C
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Filewod, Alan D. (Alan Douglas), 1952-
|t Collective encounters.
|d Toronto ; Buffalo : University of Toronto Press, ©1987
|w (DLC) 88179438
|w (OCoLC)19516058
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|a CEL - Canadian Publishers Collection.
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=3443813
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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