Sound design & science fiction

Sound design & science fiction / by William Whittington.

Annotation

Saved in:
Bibliographic Details
Main Author: Whittington, William (William Brian)
Format: eBook
Language:English
Published: Austin, TX : University of Texas Press, ©2007.
Edition:1st ed.
Subjects:
Sound motion pictures.
Motion pictures > Sound effects.
Sound > Recording and reproducing.
Science fiction films.
sound effects.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > Direction & Production.
Motion pictures > Sound effects
Science fiction films
Sound motion pictures
Sound > Recording and reproducing
Soundverarbeitung
Science-Fiction-Film
Science fiction Film > Ton > USA > Geschichte 1960-2000.
Ton > Science fiction Film > USA > Geschichte 1960-2000.
Ton > Science fiction Film > USA > Geschichte 2001 ff.
Science fiction Film > Ton > USA > Geschichte 2001 ff.
Science-fiction-Film > Filmvertonung > USA.
Cinéma > Effets sonores.
Films sonores.
son > enregistrement et reproduction.
Films de science-fiction.
Son > Enregistrement et reproduction.
USA > Science-fiction-Film > Filmvertonung.
Online Access:Click for online access
Table of Contents:
  • Acknowledgments
  • Introduction
  • PART I: THE DAWN OF SOUND DESIGN
  • Chapter 1. Sound Design: Origins and Influences
  • Chapter 2. Music and Speculation in 2001: A Space Odyssey
  • PART II: SOUND MONTAGE
  • Chapter 3. The Convergence of Hollywood and New Wave Science Fiction
  • Chapter 4. Suggestive Fragments in THX 1138
  • PART III: SOUND DESIGNING
  • Chapter 5. From Sound Capture to Construction: Building the Lexicon of Sound Designs for Star Wars
  • Chapter 6. Surround Sound and Science Fiction
  • PART IV: SOUND EFFECTS
  • Chapter 7. Genre Splicing: Horror and Science Fiction
  • Chapter 8. Alien: Audio-biomechanics
  • PART V: VOICE DESIGN
  • Chapter 9. Blade Runners: A Crisis in Voicing Authority, Identity, and Spectacle
  • PART VI: FINAL DESIGN
  • Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema: A Mixed Paradox
  • Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day
  • PART VII: CONCLUSION: A SOUNDING OF THE FUTURE
  • Chapter 12. What Is The Matrix? Sound Design in a Digital World
  • Appendix: Overview of the General Processes of Sound Production
  • Notes
  • Glossary
  • Bibliography
  • Filmography
  • Index.

Similar Items