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100802s2010 msu ob 001 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d CDX
|d OCLCQ
|d IDEBK
|d OCLCQ
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|d MERUC
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|d OCLCL
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019 |
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|a 748362076
|a 816569330
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|a 9781604734959
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|a 1604734957
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|a 9781604734942
|q (cloth ;
|q alk. paper)
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|a 1604734949
|q (cloth ;
|q alk. paper)
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|a 1282700340
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|a 9781282700345
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|a (OCoLC)651602040
|z (OCoLC)748362076
|z (OCoLC)816569330
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|a n-us-ny
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|a ML3506
|b .P56 2010eb
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|a JFCA, AVG
|2 bicssc
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|a HCDD
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|a Pinson, Heather K.
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|a The Jazz Image :
|b Seeing Music through Herman Leonard's Photography.
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|a Jackson :
|b University Press of Mississippi,
|c 2010.
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|a 1 online resource (253 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a American made music series
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|a CONTENTS; ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER 1 The Formation of the Jazz Image in Visual Culture; CHAPTER 2 The Construction of Signs in Jazz Photography; CHAPTER 3 Ceci n'est pas jazz: The Battle for Ownership; CHAPTER 4 A "Style Portrait" of the Avant-Garde; CONCLUSION: The Visual Image of Jazz; APPENDIX A: Herman Leonard Timeline 1923 to 2008; APPENDIX B: List of Exhibitions for Herman Leonard's Photography; NOTES; BIBLIOGRAPHY; INDEX.
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|a Typically a photograph of a jazz musician has several formal prerequisites: black and white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That's the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music. Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there.
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|a Print version record.
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|a Includes bibliographical references (pages 224-235) and index.
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1 |
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|a Leonard, Herman,
|d 1923-2010.
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1 |
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|a Leonard, Herman,
|d 1923-2010
|2 fast
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|a Jazz musicians
|v Portraits.
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|a Jazz
|z New York (State)
|z New York
|y 1941-1950
|x History and criticism.
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|a Jazz
|z New York (State)
|z New York
|y 1951-1960
|x History and criticism.
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|a Portrait photography
|z New York (State)
|z New York.
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|a Jazz
|2 fast
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|a Jazz musicians
|2 fast
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|a Portrait photography
|2 fast
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|a New York (State)
|z New York
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc
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|a 1941-1960
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Portraits
|2 fast
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|i has work:
|a The jazz image (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFwQcx8rGp8yFmT6RGwmr3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Pinson, Heather K.
|t Jazz Image : Seeing Music through Herman Leonard's Photography.
|d Jackson : University Press of Mississippi, ©2010
|z 9781604734942
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830 |
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|a American made music series.
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856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=555728
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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