Maria Tallchief coaching excerpts from George Balanchine's The nutcracker / the George Balanchine Foundation ; project director, Nancy Reynolds ; [video] director and producer, Catherine Tatge ; choreography by George Balanchine ; music by Peter Ilich Tchaikovsky.

Maria Tallchief, who created the role of the Sugar Plum Fairy in George Balanchine's version of The nutcracker for the New York City Ballet in 1954, coaches young dancers in excerpts from the ballet. In the interview sections, she analyzes details of the choreography and describes the way in wh...

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Bibliographic Details
Corporate Authors: George Balanchine Foundation, International Cultural Programming, Inc
Other Authors: Balanchine, George, Croce, Arlene, Reynolds, Nancy, 1938-, Mason, Francis, Tatge, Catherine, Tallchief, Maria, Somogyi, Jennie, Whelan, Wendy, Woetzel, Damian, McDill, Nancy, Tchaikovsky, Peter Ilich, 1840-1893
Format: Video
Language:English
Published: [New York, NY] : George Balanchine Foundation, ©1996.
Series:Dance in video.
Subjects:
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MARC

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245 0 0 |a Maria Tallchief coaching excerpts from George Balanchine's The nutcracker /  |c the George Balanchine Foundation ; project director, Nancy Reynolds ; [video] director and producer, Catherine Tatge ; choreography by George Balanchine ; music by Peter Ilich Tchaikovsky. 
246 3 0 |a Nutcracker 
260 |a [New York, NY] :  |b George Balanchine Foundation,  |c ©1996. 
300 |a 1 online resource (1 electronic resource (110 min.)). 
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505 0 |a Sugar Plum Fairy variation (partial) (ca. 40 min.) / danced by Jennie Somogyi -- Interview (ca. 9 min.) / interviewers, Arlene Croce and Nancy Reynolds -- Pas de deux: Sugar Plum Fairy and her Cavalier (ca. 56 min.) / danced by Wendy Whelan and Damian Woetzel -- Interview (ca. 4 min.) / interviewers, Francis Mason and Nancy Reynolds. 
520 |a Maria Tallchief, who created the role of the Sugar Plum Fairy in George Balanchine's version of The nutcracker for the New York City Ballet in 1954, coaches young dancers in excerpts from the ballet. In the interview sections, she analyzes details of the choreography and describes the way in which Balanchine taught specific steps and movements. She also reminisces about the first performance, and compares the choreography to the Petipa-Ivanov version then being presented by the Ballet Russe de Monte Carlo. 
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600 1 0 |a Balanchine, George. 
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650 0 |a Ballet  |x Study and teaching. 
650 0 |a Pas de deux. 
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700 1 |a Balanchine, George. 
700 1 |a Croce, Arlene. 
700 1 |a Reynolds, Nancy,  |d 1938-  |1 https://id.oclc.org/worldcat/entity/E39PCjHG8vBRqvYJ7jq6fgTgVd 
700 1 |a Mason, Francis. 
700 1 |a Tatge, Catherine. 
700 1 |a Tallchief, Maria. 
700 1 |a Somogyi, Jennie. 
700 1 |a Whelan, Wendy. 
700 1 |a Woetzel, Damian. 
700 1 |a McDill, Nancy. 
700 1 |a Tchaikovsky, Peter Ilich,  |d 1840-1893.  |t Shchelkunchik. 
710 2 |a George Balanchine Foundation. 
710 2 |a International Cultural Programming, Inc. 
730 0 |a Nutcracker (Choreographic work : Balanchine, after Ivanov) 
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