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00000cam a2200000 a 4500 |
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ocn654366361 |
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OCoLC |
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20250119213021.0 |
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m o d |
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cr un||||a|a|| |
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100809s1997 nyug ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d LGG
|d OCLCQ
|d OCLCF
|d OCLCQ
|d OCLCO
|d YDXCP
|d N$T
|d OCLCO
|d OCLCQ
|d OCLCO
|d STBDS
|d INARC
|d YOU
|d OCLCQ
|d AUD
|d OCLCQ
|d YDX
|d OCLCO
|d EZ9
|d LVT
|d OCLCQ
|d COO
|d OCLCQ
|d OCLCO
|d REC
|d OCLCQ
|d OCLCL
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|a GB9756931
|2 bnb
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019 |
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|a 604708940
|a 639330060
|a 681900531
|a 967255813
|a 1035699863
|a 1078103610
|a 1086513023
|a 1162933782
|a 1164099668
|a 1198081657
|a 1200110624
|a 1229409681
|a 1255774047
|a 1289744793
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|a 9780199865017
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|a 0199865019
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|z 0195097084
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|z 9780195097085
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|z 019516945X
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020 |
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|z 9780195169454
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035 |
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|a (OCoLC)654366361
|z (OCoLC)604708940
|z (OCoLC)639330060
|z (OCoLC)681900531
|z (OCoLC)967255813
|z (OCoLC)1035699863
|z (OCoLC)1078103610
|z (OCoLC)1086513023
|z (OCoLC)1162933782
|z (OCoLC)1164099668
|z (OCoLC)1198081657
|z (OCoLC)1200110624
|z (OCoLC)1229409681
|z (OCoLC)1255774047
|z (OCoLC)1289744793
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042 |
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|a dlr
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050 |
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4 |
|a ML457
|b .S52 1997
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072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
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049 |
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|a HCDD
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100 |
1 |
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|a Sherman, Bernard D.
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245 |
1 |
0 |
|a Inside early music :
|b conversations with performers /
|c Bernard D. Sherman.
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260 |
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|a New York :
|b Oxford University Press,
|c 1997.
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300 |
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|a 1 online resource (xi, 414 pages) :
|b music
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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504 |
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|a Includes bibliographical references and index.
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505 |
0 |
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|a Medieval music, plainchant, and "otherness" -- The Renaissance, Oxbridge, and Italy -- The Baroque -- Classical and Romantic.
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520 |
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|a Twenty-three musicians and conductors discuss the early music movement, in which music is played with the styles and instruments used when the piece was originally written and performed. "Each interview [focuses] on particular composers or styles, touching on heated topics such as how historical evidence should be used, why period instruments might matter, and what 'authenticity' is."--Jacket
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506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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588 |
0 |
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|a Print version record.
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650 |
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0 |
|a Performance practice (Music)
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650 |
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0 |
|a Style, Musical.
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650 |
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0 |
|a Musicians
|x Interviews.
|
650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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650 |
|
7 |
|a Musicians.
|2 fast
|0 (OCoLC)fst01030837
|
650 |
|
7 |
|a Performance practice (Music)
|2 fast
|0 (OCoLC)fst01057874
|
650 |
|
7 |
|a Style, Musical.
|2 fast
|0 (OCoLC)fst01136333
|
650 |
|
7 |
|a Historische Musikpraxis
|2 gnd
|
650 |
|
7 |
|a Interview
|2 gnd
|
650 |
|
7 |
|a Musiker
|2 gnd
|
650 |
1 |
7 |
|a Uitvoeringspraktijk.
|2 gtt
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650 |
1 |
7 |
|a Oude muziek.
|2 gtt
|
650 |
1 |
7 |
|a Musici.
|2 gtt
|
650 |
1 |
7 |
|a Interviews (vorm)
|2 gtt
|
655 |
|
7 |
|a Interviews.
|2 fast
|0 (OCoLC)fst01423832
|
758 |
|
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|i has work:
|a Inside early music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFDGg7CF9WrhBpKKDvyyBP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Sherman, Bernard D.
|t Inside early music.
|d New York : Oxford University Press, 1997
|w (DLC) 96006341
|w (OCoLC)34318541
|
856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/9717
|y Click for online access
|
903 |
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|a OUP-SOEBA
|
994 |
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|a 92
|b HCD
|