Pink pirates : contemporary American women writers and copyright / Caren Irr.

Today, copyright is everywhere, surrounded by a thicket of no-trespassing signs that mark creative work as private property. Caren Irr's Pink Pirates asks how contemporary novelists-represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko-have read those signs, arguin...

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Bibliographic Details
Main Author: Irr, Caren
Format: eBook
Language:English
Published: Iowa City : University of Iowa Press, ©2010.
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Online Access:Click for online access

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100 1 |a Irr, Caren. 
245 1 0 |a Pink pirates :  |b contemporary American women writers and copyright /  |c Caren Irr. 
260 |a Iowa City :  |b University of Iowa Press,  |c ©2010. 
300 |a 1 online resource (220 pages) 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction: the problem of copyright -- A feminist history of copyright: 1710 to 2010 -- The maternal commons: Reyher, Kroeber, and Le Guin -- Appropriating Inuit fashions: from Donna Karan to the scientific fictions of Andrea Barrett -- Obscenity versus freedom of speech: the outside of ownership in Kathy Acker's Pussy, king of the pirates -- Transracial parody: 2 live crew meets Leslie Marmon Silko -- Conclusion: toward a pink commons. 
588 0 |a Print version record. 
520 |a Today, copyright is everywhere, surrounded by a thicket of no-trespassing signs that mark creative work as private property. Caren Irr's Pink Pirates asks how contemporary novelists-represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko-have read those signs, arguing that for feminist writers in particular copyright often conjures up the persistent exclusion of women from ownership. Bringing together voices from law schools, courtrooms, and the writer's desk, Irr shows how some of the most inventive contemporary feminist novelists have reacted to this history. 
650 0 |a American fiction  |x Women authors  |x History and criticism. 
650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a Intellectual property in literature. 
650 0 |a Piracy (Copyright)  |z United States  |x History  |y 20th century. 
650 0 |a Law and literature  |z United States  |x History  |y 20th century. 
650 0 |a Feminism and literature  |z United States  |x History  |y 20th century. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Women Authors.  |2 bisacsh 
650 7 |a American fiction  |2 fast 
650 7 |a American fiction  |x Women authors  |2 fast 
650 7 |a Feminism and literature  |2 fast 
650 7 |a Intellectual property in literature  |2 fast 
650 7 |a Law and literature  |2 fast 
650 7 |a Piracy (Copyright)  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
758 |i has work:  |a Pink pirates (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFRFVvGXYDgmhWB7QJx4FX  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Irr, Caren.  |t Pink pirates.  |d Iowa City : University of Iowa Press, ©2010  |z 9781587299124  |w (DLC) 2010008378  |w (OCoLC)551720868 
856 4 0 |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=843262  |y Click for online access 
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