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00000cam a2200000 i 4500 |
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ocn700953079 |
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OCoLC |
| 005 |
20241006213017.0 |
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m o d |
| 007 |
cr cnu---unuuu |
| 008 |
101209s2011 enk fob 001 0 eng |
| 040 |
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|a AU@
|b eng
|e rda
|e pn
|c AU@
|d YNG
|d OCLCF
|d OCLCO
|d VLB
|d OL$
|d DKDLA
|d YDXCP
|d OCLCQ
|d STBDS
|d OCLCA
|d U3W
|d YOU
|d OCLCA
|d OCLCQ
|d OCLCO
|d OCLCQ
|d NJT
|d RDF
|d YDX
|d OCLCO
|d OCLCQ
|d SFB
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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| 019 |
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|a 712621812
|a 1078991230
|a 1298469535
|a 1370503764
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| 020 |
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|a 9780191595684
|q (electronic book)
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| 020 |
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|a 0191595683
|q (electronic book)
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| 020 |
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|z 9780199593699
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| 020 |
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|z 0199593698
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| 035 |
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|a (OCoLC)700953079
|z (OCoLC)712621812
|z (OCoLC)1078991230
|z (OCoLC)1298469535
|z (OCoLC)1370503764
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| 043 |
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|a e-uk-en
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| 050 |
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4 |
|a N6490
|b .A73 2011
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Arrowsmith, Rupert Richard,
|d 1968-
|e author.
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| 245 |
1 |
0 |
|a Modernism and the museum :
|b Asian, African, and Pacific art and the London avant-garde /
|c Rupert Richard Arrowsmith.
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| 264 |
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1 |
|a Oxford :
|b Oxford University Press,
|c 2011.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Oxford English monographs
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
8 |
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|a By demonstrating that many of the concepts and styles associated with modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of modernist art and literature in the West.
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| 505 |
0 |
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|a The dead hand of Athens : Jacob Epstein, James Havard Thomas, and provincialism in European art -- An Indian temple on the Strand : Charles Holden, Ananda Coomaraswamy, and London's first modernist sculptures -- Haunting the reading room : Ezra pound and the British Museum's Egyptian and Assyrian collections -- Nineveh, Amarna, Kyoto : Gill, Epstein, Gaudier-Brzeska, and the direct carving revolution -- "Little Japanese pictures" : Ezra Pound, Laurence Binyon, and the British Museum Print Room -- China in Whitechapel, Japan in Shepherd's Bush : Aldington, Ford, Pound, Fletcher, and Lowell -- "The more serious art that one likes" : T.E. Hulme, Jacob Epstein, and the making of a global classicism -- "The Benin things are fine, fine" : the art of Africa and the Pacific islands in pre-war London -- "Kuanon of all delights" : seven lakes, eight views, and the Korean goddess of The cantos.
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| 588 |
0 |
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|a Online resource; title from digital title page (viewed on July 08, 2021).
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| 650 |
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|a Modernism (Art)
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| 650 |
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0 |
|a Modernism (Literature)
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| 650 |
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0 |
|a Museums
|z England
|z London.
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| 650 |
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7 |
|a Modernism (Art)
|2 fast
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| 650 |
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7 |
|a Modernism (Literature)
|2 fast
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| 650 |
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7 |
|a Museums
|2 fast
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| 651 |
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7 |
|a England
|z London
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJp68ckpMtKGHPFWQrwDMP
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| 710 |
2 |
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|a Oxford University Press.
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| 776 |
0 |
8 |
|i Print version
|z 9780199593699
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| 830 |
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|a Oxford English monographs.
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/8648
|y Click for online access
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| 903 |
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|a OUP-SOEBA
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| 994 |
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|a 92
|b HCD
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