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ocn712079963 |
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OCoLC |
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20240909213021.0 |
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m o d |
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110411m19801982enka ob 001 0 eng |
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|a 733996842
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|q (v. 2)
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|a 9780521286039
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|a 0521286034
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|a (OCoLC)712079963
|z (OCoLC)733996842
|z (OCoLC)749133628
|z (OCoLC)753658327
|z (OCoLC)801664616
|z (OCoLC)874664144
|z (OCoLC)936552033
|z (OCoLC)993053886
|z (OCoLC)1171358631
|z (OCoLC)1171616810
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|a e-it---
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|a ML290.8.M2
|b F4 1980eb
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|a ML290.8.M2F4
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1 |
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|a GB80
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|a HCDD
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1 |
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|a Fenlon, Iain.
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1 |
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|a Music and patronage in sixteenth-century Mantua /
|c Iain Fenlon.
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| 260 |
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|a Cambridge [England] ;
|a New York :
|b Cambridge University Press,
|c 1980-1982.
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| 300 |
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|a 1 online resource (2 volumes) :
|b illustrations.
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a data file
|2 rda
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| 490 |
1 |
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|a Cambridge studies in music
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|a Includes bibliographical references and index.
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0 |
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|a v. 1. Text -- v. 2. Anthology.
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|a Print version record.
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|a Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructus employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based. This study will appeal to musicologists, as well as to students and teachers interested in the cultures of early modern Italy. A selection of music, illustrating in various ways the system of patronage which brought it into being and enabled its survival, will be published in a companion volume.
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1 |
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|a Gonzaga, Guglielmo,
|d (1538-1587)
|x Et la musique.
|2 ram
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| 650 |
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|a Music
|z Italy
|z Mantua
|y 16th century
|x History and criticism.
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| 650 |
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|a Art patronage
|z Italy
|z Mantua
|x History
|y 16th century.
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| 651 |
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0 |
|a Mantua (Italy)
|x History.
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| 650 |
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0 |
|a Music
|z Italy
|z Mantua
|x History and criticism.
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| 650 |
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|a Music
|y 16th century
|x History and criticism.
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| 650 |
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7 |
|a Art patronage
|2 fast
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| 650 |
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|a Music
|2 fast
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| 651 |
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|a Italy
|z Mantua
|2 fast
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| 650 |
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|a Musique
|z Mantoue (Italie)
|y 16e siècle.
|2 ram
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| 650 |
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|a Mécénat
|z Mantoue (Italie)
|y 16e siècle.
|2 ram
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| 648 |
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|a 1500-1599
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 655 |
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|a History
|2 fast
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|i Print version:
|a Fenlon, Iain.
|t Music and patronage in sixteenth-century Mantua.
|d Cambridge [Eng.] ; New York : Cambridge University Press, 1980-1982
|z 0521229057
|w (DLC) 79041377
|w (OCoLC)5832030
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| 830 |
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|a Cambridge studies in music.
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| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://hdl.handle.net/2027/heb07572.0001.001
|y Click for online access
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|a HEB
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|a 92
|b HCD
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