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| 100 |
1 |
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|a Barnett, Daniel,
|d 1944-
|1 https://id.oclc.org/worldcat/entity/E39PCjwvwkqccXDxHdmKrGbxtC
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| 245 |
1 |
0 |
|a Movement as meaning :
|b in experimental film /
|c Daniel Barnett.
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| 260 |
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|a Amsterdam ;
|a New York, NY :
|b Rodopi,
|c 2008.
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| 300 |
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|a 1 online resource (iv, 224 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Consciousness, literature & the arts ;
|v 13
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| 504 |
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|a Includes filmography.
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| 504 |
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|a Includes bibliographical references (pages 197-200) and index.
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| 588 |
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|a Print version record.
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| 520 |
8 |
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|a "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket.
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| 505 |
0 |
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|a Movement as Meaning; Table of Contents; Foreword: What this book is and what this book isn't:; Preface: Arriving at the scene:; Introduction: Two pictures of a rose in the dark; Part I: Modes of Perception and Modes of Expression; Part II: Dynamic And Syntactic Universals; Part III: The Moving Target; APPENDIX A:; Acknowledgements:; Bibliography; Filmography; Index
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| 546 |
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|a English.
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| 650 |
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|a Experimental films.
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| 650 |
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|a Motion pictures.
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| 650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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| 650 |
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|a Experimental films
|2 fast
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| 650 |
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7 |
|a Motion pictures
|2 fast
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| 655 |
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7 |
|a Experimental films
|2 fast
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| 655 |
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7 |
|a Motion pictures
|2 fast
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| 655 |
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7 |
|a Experimental films.
|2 lcgft
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| 655 |
|
7 |
|a Motion pictures.
|2 lcgft
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| 655 |
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|a Films expérimentaux.
|2 rvmgf
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| 655 |
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7 |
|a Films.
|2 rvmgf
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| 758 |
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|i has work:
|a Movement as meaning (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFKT7wP3bDmr6pgYm8wPkP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Barnett, Daniel.
|t Movement as meaning.
|d Amsterdam ; New York, NY : Rodopi, 2008
|z 9042023856
|z 9789042023857
|w (OCoLC)225819772
|
| 830 |
|
0 |
|a Consciousness, literature & the arts ;
|v 13.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=556529
|y Click for online access
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|a EBC-AC
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| 994 |
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