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|a HCDD
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1 |
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|a Marlow-Mann, Alex.
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|a The new Neapolitan cinema /
|c Alex Marlow-Mann.
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|a Edinburgh :
|b Edinburgh University Press,
|c 2011.
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|a 1 online resource (xiii, 242 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|2 rdacarrier
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|a Traditions in world cinema
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|a Includes bibliographical references (pages 221-229) and index.
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|a Print version record.
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|a Cover; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; NOTE; GLOSSARY; TRADITIONS IN WORLD CINEMA; INTRODUCTION; 1. NEAPOLITAN CINEMA AND THE ITALIAN FILM INDUSTRY; 2. CHARACTERISTICS AND FUNCTIONS OF THE NEAPOLITAN FORMULA; 3. ESTRANEI ALLA MASSA: THE NEW NEAPOLITAN CINEMA AND THE CRISIS OF NAPOLETANITÀ; 4. GOLD AND DUST: HYBRIDITY, POSTMODERNISM AND THE LEGACY OF NEAPOLITAN NARRATIVE; 5. SYMBOLIC POLITICS: THE NEAPOLITAN RENAISSANCE AND THE POLITICS OF THE NEW NEAPOLITAN CINEMA; CONCLUSION; APPENDICES; FILMOGRAPHY; SELECT BIBLIOGRAPHY; INDEX.
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|a Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production. In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity. Key features include: analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home a theoretical discussion of the concept of regional cinema an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance' a study of one European film industry in terms of legislation, production, distribution and exhibition. Alex Marlow-Mann has taught Italian cinema at the universities of Reading, Cardiff and Leeds and has published numerous articles on the subject. He first became interested in Neapolitan cinema when living in the city.
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|a English.
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|a Motion pictures
|z Italy
|z Naples
|x History.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a ART
|x Film & Video.
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|a PERFORMING ARTS
|x Film & Video
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|a Motion pictures
|2 fast
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| 651 |
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|a Italy
|z Naples
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|1 https://id.oclc.org/worldcat/entity/E39QbtfRjV9tbP3pwyvMhGm8bM
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|a Filmkunst.
|2 gtt
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|a Films.
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|a Napels (stad)
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|a History
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|i has work:
|a The new Neapolitan cinema (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFwpMBQ4KgTDvwMvHB68vd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Marlow-Mann, Alex.
|t New Neapolitan cinema.
|d Edinburgh : Edinburgh University Press, 2011
|z 0748640665
|w (OCoLC)662577175
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| 830 |
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|a Traditions in world cinema.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=685053
|y Click for online access
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