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00000cam a2200000Ma 4500 |
| 001 |
ocn769188976 |
| 003 |
OCoLC |
| 005 |
20240909213021.0 |
| 006 |
m o d |
| 007 |
cr cn||||||||| |
| 008 |
110923s2011 nhu obq 001 0 eng d |
| 010 |
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|z 2011038835
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| 040 |
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|a E7B
|b eng
|e pn
|c E7B
|d YDXCP
|d CDX
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|d OCLCQ
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|d OCLCQ
|d WYU
|d G3B
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|d OCLCQ
|d KCP
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|d AZK
|d CNNLC
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| 019 |
|
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|a 761290564
|a 816870023
|a 954581446
|a 1055382465
|a 1066597911
|a 1081220824
|a 1126040235
|a 1162447754
|a 1228528704
|a 1241953906
|a 1290039882
|a 1300675282
|a 1392424524
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| 020 |
|
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|a 9781611681857
|q (electronic bk.)
|
| 020 |
|
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|a 1611681855
|q (electronic bk.)
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| 020 |
|
|
|a 1611680476
|q (pbk. ;
|q alk. paper)
|
| 020 |
|
|
|a 9781611680478
|q (pbk. ;
|q alk. paper)
|
| 020 |
|
|
|a 1283320886
|
| 020 |
|
|
|a 9781283320887
|
| 020 |
|
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|z 9781611680478
|q (pbk. ;
|q alk. paper)
|
| 020 |
|
|
|a 9786613320889
|
| 020 |
|
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|a 6613320889
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| 035 |
|
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|a (OCoLC)769188976
|z (OCoLC)761290564
|z (OCoLC)816870023
|z (OCoLC)954581446
|z (OCoLC)1055382465
|z (OCoLC)1066597911
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| 050 |
|
4 |
|a PN1995.9.F54
|b C68 2011eb
|
| 072 |
|
7 |
|a ART
|x 057000
|2 bisacsh
|
| 072 |
|
7 |
|a PER
|x 004040
|2 bisacsh
|
| 072 |
|
7 |
|a APF
|2 bicssc
|
| 049 |
|
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|a HCDD
|
| 100 |
1 |
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|a Clute, Shannon Scott.
|
| 245 |
1 |
4 |
|a The Maltese touch of evil :
|b film noir and potential criticism /
|c Shannon Scott Clute and Richard L. Edwards.
|
| 260 |
|
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|a Hanover, N.H. :
|b Dartmouth College Press,
|c 2011.
|
| 300 |
|
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|a 1 online resource (xviii, 316 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Interfaces, studies in visual culture
|
| 504 |
|
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|a Includes bibliographical references and index.
|
| 504 |
|
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|a Includes filmography and podcastography.
|
| 505 |
0 |
|
|a A void in film noir studies -- One hundred thousand billion films noir: Oulipian works and potential -- Workshop of potential criticism: anoulipism and plagiarism by anticipation -- Build my scaffolding high: noir films as constrained texts -- Oufinopo: the noiremes.
|
| 520 |
|
|
|a Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh.
|
| 546 |
|
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|a English.
|
| 650 |
|
0 |
|a Film noir
|x History and criticism.
|
| 650 |
|
0 |
|a Podcasting
|x Study and teaching.
|
| 650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
|
| 650 |
|
7 |
|a Film noir
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
| 700 |
1 |
|
|a Edwards, Richard L.,
|d 1965-
|
| 776 |
0 |
8 |
|i Print version:
|a Clute, Shannon Scott.
|t Maltese touch of evil.
|d Hanover, N.H. : Dartmouth College Press, 2011
|w (DLC) 2011038835
|
| 830 |
|
0 |
|a Interfaces, studies in visual culture.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1085024
|y Click for online access
|
| 903 |
|
|
|a EBC-AC
|
| 994 |
|
|
|a 92
|b HCD
|