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ocn769342058 |
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OCoLC |
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20240909213021.0 |
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m o d |
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111226s1989 pau ob 000 0 eng d |
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|a DSB
|2 bicssc
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Kobernick, Mark.
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| 245 |
1 |
0 |
|a Semiotics of the Drama and the Style of Eugene O'Neill.
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| 260 |
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|a Amsterdam/Philadelphia :
|b John Benjamins Pub. Co.,
|c 1989.
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| 300 |
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|a 1 online resource (173 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Foundations of semiotics,
|x 0168-2555 ;
|v v. 19
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| 505 |
0 |
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|a SEMIOTICS OF THE DRAMA AND THE STYLE OF EUGENE O'NEILL; Editorial page; Title page; Copyright page; Acknowledgements; Table of contents; List of Figures; List of appendices; 1. Introduction: the purpose and design of this study; 2. Stylistics in relation to linguistics and semiotics; 3. The semiotics of the drama; 4. Approaching the drama of O'Neill through semiotic stylistics; 5. Establishing a controlled semiotics for the dramatic microcorpus; 6. A representative segment analysis: Anna Christie I.vi; 7. Concluding discussion of Desire Under the Elms.
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|a 8. Concluding discussion of Long Day's Journey into Night9. Conclusion: summary of findings at the level of the microcorpus; APPENDICES; Appendix A The specification of Aristotelian divisions; Appendix B The specification of dramatis personae configuration; Appendix C The specification of awareness level; Appendix D The specification of oppositional motifs; Appendix E The segmentation into subscenes; Appendix F The selection of subscene segments for matrix analysis; Appendix G The format and notation of the work sheet matrix.
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| 520 |
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|a A semiotic analysis is made of the six major plays by Eugene O'Neill and an attempt is made to yield a systematic analysis towards humanistic interpretations of texts. Theoretical interpretations are enriched with discussions of the plays. Technical matters such as the segmentation of the text are specified in appendices. Six semiotic dimensions have been studied: motifs, theatrical semiotic systems, their use in communicational functions, role function of the dramatis personae, their levels of awareness, and aristotelian divisions.
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| 588 |
0 |
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|a Print version record.
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| 504 |
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|a Includes bibliographical references.
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| 546 |
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|a English.
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| 600 |
1 |
0 |
|a O'Neill, Eugene,
|d 1888-1953
|x Literary style.
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| 600 |
1 |
7 |
|a O'Neill, Eugene,
|d 1888-1953
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJwmQrYMYpwq7833c9mfMP
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| 650 |
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|a Semiotics and literature.
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| 650 |
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0 |
|a Drama.
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| 650 |
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7 |
|a plays (performing arts compositions)
|2 aat
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| 650 |
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7 |
|a drama (literary genre)
|2 aat
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| 650 |
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7 |
|a Drama
|2 fast
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| 650 |
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7 |
|a Literary style
|2 fast
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| 650 |
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7 |
|a Semiotics and literature
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|a Kobernick, Mark.
|t Semiotics of the Drama and the Style of Eugene O'Neill.
|d Amsterdam/Philadelphia : John Benjamins Publishing Company, ©1989
|z 9789027232915
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| 830 |
|
0 |
|a Foundations of semiotics ;
|v v. 19.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=802013
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
|