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|a 781540775
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|a 9780240818085
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|a 0240818083
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|z 9780240818078
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|a (OCoLC)779141596
|z (OCoLC)781540775
|z (OCoLC)785782446
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|a PN1996
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|a PER
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|2 bisacsh
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|a HCDD
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| 100 |
1 |
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|a Gallo, Guy.
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| 245 |
1 |
0 |
|a Screenwriter's Compass :
|b Character As True North.
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| 260 |
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|a Burlington :
|b Elsevier Science,
|c 2012.
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| 300 |
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|a 1 online resource (215 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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0 |
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|a Front Cover; Screenwriter's Compass; Copyright Page; Contents; Preface; Acknowledgments; 1 First Things; Screenwriter's Compass; Big Deal--You're Writing a Screenplay; Gear Up; Screenwriting Is Writing; Craftsmanship; 2 Groundwork; Reading Theory; Character Up, Not Plot Down; Screenplays Are Structure; Upsetting Aristotle; The Poetics; Plot and Character; Action; Putting Aristotle to Work; Character as Aspect; Character as Agency; Drama as Choice; Character Completes Plot; Character-Driven versus Plot-Driven; Fable and Construct; Story; Event; Plot; Turning Theory to Task; 3 Getting Ready.
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| 505 |
8 |
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|a Master Shot ScreenplayReading Screenplays; Composition Creates Story; On Outlines; On Character Histories; On Treatments; On Adaptation; Types of Adaptation; Fidelity; Transformation; Narrative Time versus Story Time; Film Storytelling; Tasks of Adaptation; 4 First Draft; The Blank Page; Jump In; Show Up; Genre; Experience versus Imagination; Don't Be Precious; Posterity; Topicality; Revising As You Go; Slow Down; Innocent Reader; Scene and Action Description; Setting; Details; Details versus Specificity; Sentence and Paragraph Structure; Geography; Mimetic Description.
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|a Camera Gestures and ParagraphingThe Camera versus We See versus Paragraphing; Editorial Description; Colloquial Narration; Tone of Narration Fit to Tone of Piece; Show, Don't Tell; Push versus Pull; No Apologies; Being God; Making Character; Backstory; Introducing a Character; Individuating the Waitress; Character Logic; Believability; Hearing Voices; Who's Talking?; Differentiating Voices; Speech into Voice; Speech Is an Action; Exposition; Long Speeches; Voice-Over Narration; Empathy; Character Is What We Remember; Identification; Character Want; Character Need; Want and Empathy.
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8 |
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|a Arc versus TrajectoryRaising Stakes; Thinking of Structure; The Pieces; Image; Shot; Scene; Sequence; The Well-Made Play; Back to Aristotle; Harmatia; Peripeteia; Anagnorisis; Journey; Breaking a Block; Revisit the Fable; Reread What You've Written; Change the Tools; New Location; Do the Opposite; Write What You Remember; The Sister Ann Francis Solution; Do Nothing; 5 Revision; First Reader; Looking Again for Logic; Character Logic; Plot Logic; Visual Logic; Questions; Active and Accurate Verb?; Is It Varied?; Is It Immediate?; Is It Visceral?; First Time or Ritual?; Considered the Space?
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|a Seen from All Sides?Challenges and Pitfalls; Nothing Is Sacred; Padding; Question and Answer; Eye Drama; Emotional Geography; Fill Time or Ignore It; Enter Late, Leave Early; Let the Scene Play; Write the Love Scene; Needs of the Scene versus Needs of the Story; On Expectation; Expectation and Reversal; The Axis of Good and Bad; Nudity and Violence; Endings; 6 Finishing; Wrighting a Screenplay; Wrighting versus Writing; Control What You Can; Screenplay Format; Rules Have Purpose; Screenplay Processors; One Page/One Minute; Font; Bold and Italic; Typewriter versus Typeset; Two Spaces; Dash.
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|a Smart Quotes.
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|a Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character. Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways of thinking about writing, a.
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|a Print version record.
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| 650 |
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|a Motion picture authorship.
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| 650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x Screenwriting.
|2 bisacsh
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| 650 |
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7 |
|a Motion picture authorship
|2 fast
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| 650 |
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7 |
|a Drehbuch
|2 gnd
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| 758 |
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|i has work:
|a Screenwriter's compass (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGQYcT37c8Y6vgmdQBv7f3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Gallo, Guy.
|t Screenwriter's Compass : Character As True North.
|d Burlington : Elsevier Science, ©2012
|z 9780240818078
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=867672
|y Click for online access
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| 903 |
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|a EBC-AC
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|a 92
|b HCD
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