Italian Cinema : Arthouse to Exploitation.

From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and th...

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Bibliographic Details
Main Author: Forshaw, Barry
Format: eBook
Language:English
Published: Chicago : Oldcastle Books, 2006.
Subjects:
Online Access:Click for online access

MARC

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245 1 0 |a Italian Cinema :  |b Arthouse to Exploitation. 
260 |a Chicago :  |b Oldcastle Books,  |c 2006. 
300 |a 1 online resource (145 pages) 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Cover; Title Page; Dedication; Table of Contents; Introduction; Neorealism -- Key Directors; Neorealism -- Two Key Films; Personal Cinema: Fellini, Antonioni and Others; Personal Cinema -- Key Films; Gialli -- Key Films; The Italian Western: Sergio Leone and Sergio Corbucci; Italian Cinema: The Films; Key Film Stars; Acknowledgement; Copyright. 
520 |a From the unbridled sensuality of the orgy scenes in silent Italian cinema, through a topless Sophia Loren in a 1950s historical epic and the image of Silvana Mangano, her skirt provocatively tucked into her underwear, in the neo-realist classic Bitter Rice, to the erotic obsessions of Fellini and the more cerebral but still passion-centred movies of Antonioni, eroticism is ever-present in Italian cinema. And then there are the popular movies: the acres of tanned flesh (both male and female) on offer in the many sword and sandal epics of the peplum era through to the inextricable mix of sexuali. 
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