A History of Singing.
From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon.
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| Main Author: | |
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| Other Authors: | |
| Format: | Electronic |
| Language: | English |
| Published: |
Cambridge :
Cambridge University Press,
2012.
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| Subjects: | |
| Online Access: | Click for online access |
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| 049 | |a HCDD | ||
| 100 | 1 | |a Potter, John. | |
| 245 | 1 | 2 | |a A History of Singing. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (360 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING. | |
| 505 | 8 | |a NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA. | |
| 505 | 8 | |a TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history -- history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER. | |
| 505 | 8 | |a SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS. | |
| 505 | 8 | |a CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET. | |
| 500 | |a France and the chanson tradition. | ||
| 520 | |a From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Singing |x History. | |
| 650 | 0 | |a Choral singing |x History. | |
| 650 | 0 | |a Vocal music |x History and criticism. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Choral singing |2 fast | |
| 650 | 7 | |a Singing |2 fast | |
| 650 | 7 | |a Vocal music |2 fast | |
| 650 | 7 | |a Gesang |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Sorrell, Neil. | |
| 776 | 0 | 8 | |i Print version: |a Potter, John. |t A History of Singing. |d Cambridge : Cambridge University Press, ©2012 |z 9780521817059 |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=866840 |y Click for online access |
| 903 | |a EBC-AC | ||
| 994 | |a 92 |b HCD | ||