|
|
|
|
| LEADER |
00000cam a2200000Mi 4500 |
| 001 |
ocn794664486 |
| 003 |
OCoLC |
| 005 |
20240909213021.0 |
| 006 |
m o d |
| 007 |
cr |n|---||||| |
| 008 |
120604s1978 gw o 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d DEBBG
|d YDXCP
|d OCLCQ
|d DEBSZ
|d ZCU
|d MERUC
|d DKDLA
|d OCLCO
|d OCLCF
|d U3W
|d OCLCQ
|d OCLCO
|d STF
|d ICG
|d OCLCQ
|d TKN
|d DKC
|d UMR
|d AU@
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|d OCLCQ
|
| 020 |
|
|
|a 9783110809923
|
| 020 |
|
|
|a 3110809923
|
| 035 |
|
|
|a (OCoLC)794664486
|
| 050 |
|
4 |
|a ND1049.T3 .P58 1978
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Coleman, Earle Jerome.
|
| 245 |
1 |
0 |
|a Philosophy of Painting by Shih-T'ao :
|b a Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting).
|
| 260 |
|
|
|a Berlin :
|b De Gruyter Mouton,
|c 1978.
|
| 300 |
|
|
|a 1 online resource (148 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Studies in Philosophy ;
|v v. 19
|
| 505 |
0 |
|
|a Preface; Introduction; Austere Sublimity of lofty Dryness (Koko); Subtle Profundity or Deep Reserve (Yugen); Simplicity (Kanso); Tranquility (Sei Jaku); Freedom from Attachment (Datsu Zoku); I. Oneness of Brush Strokes (I-Hua); II. Concealment in Nondifferentation (Mêng Yang); III. Harmonious Atmosphere (Yin Yün); IV. Sublimity as Aesthetic Achievement (Yüan Ch'en); V. Emptiness Versus Solidity ((Hsü Shih); VI. Living Spirit (Shêng Huo); VII. Liberation from Method (Liao Fa); A Biographical Sketch; A Note on the Chinese Scripts; A Discussion of Previous English Translations.
|
| 505 |
8 |
|
|a 1. Oneness of Brush Strokes2. Liberation from Methods; 3. Transformation and Freedom; 4. The Value of Inborn Nature; 5. Unity of Brush Strokes and Ink Wash; 6. Motions of the Wrist; 7. Harmonious Atmosphere; 8. Reality of Mountains and Rivers; 9. Landscapes Expressed by Various Lines; 10. Threee Planes and Two Grounds; 11. Six Essentials; 12. Forests and Trees; 13. Oceans and Waves; 14. Expressions of the Four Seasons; 15. Sublimity and the Commonplace; 16. Purity through Wu-Wei; 17. Origin of Heaven and Completion by Man; 18. Creativity and the Fulfillment of Nature.
|
| 505 |
8 |
|
|a The Uninterrupted Translation1. Oneness of Brush Strokes; 2. Liberation from Methods; 3. Transformation and Freedom; 4. The Value of Inborn Nature; 5. Unity of Brush Strokes and Ink Wash; 6. Motions of the Wrist; 7. Harmonious Atmosphere; 8. Reality of Mountains and Rivers; 9. Landscapes Expressed by Various Lines; 10. Three Planes and Two Grounds; 11. Six Essentials; 12. Forests and Trees; 13. Oceans and Waves; 14. Expressions of the Four Seasons; 15. Sublimity and the Commonplace; 16. Purity through Wu-Wei; 17. Origin of Heaven and Completion by Man.
|
| 505 |
8 |
|
|a 18. Creativity and the Fulfillment of NatureFinal Remarks; Bibliography.
|
| 588 |
0 |
|
|a Print version record.
|
| 650 |
|
0 |
|a Painting
|x Philosophy.
|
| 650 |
|
7 |
|a Painting
|x Philosophy
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a Coleman, Earle J.
|t Philosophy of Painting by Shih-T'ao : A Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting).
|d Berlin : De Gruyter Mouton, ©1978
|z 9789027977564
|
| 830 |
|
0 |
|a Studies in Philosophy.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=929281
|y Click for online access
|
| 903 |
|
|
|a EBC-AC
|
| 994 |
|
|
|a 92
|b HCD
|