Hart Crane's poetry : "Appollinaire lived in Paris, I live in Cleveland, Ohio" / John T. Irwin.

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Bibliographic Details
Main Author: Irwin, John T.
Format: eBook
Language:English
Published: Baltimore : Johns Hopkins University Press, 2011.
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Online Access:Click for online access
Table of Contents:
  • Cover
  • Contents
  • Preface
  • Part One. The Bridge
  • 1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins
  • 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind
  • 3 Spenglerâ€?s Reading of Perspective as a Culture-Symbol
  • 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Grecoâ€?s Agony in the Garden; the Grail; Dionysus and Jesus
  • 5 Counterpoint in The Bridge
  • 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest.
  • Eliotâ€?s The Waste Land7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification
  • 8 The Reversal of the Figures of Father and Mother in “Indianaâ€?; Craneâ€?s Dream of the Black Man by the River; Craneâ€?s Quarrel with His Father; the Composition of “Black Tambourineâ€?
  • 9 Craneâ€?s Dream of His Motherâ€?s Trunk in the Attic
  • 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goetheâ€?s Faust.
  • Platoâ€?s Cave Allegory as aSublimated Womb Fantasy Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Korē, and the Amerindian Corn Mother
  • 11 Building the Virgin; Craneâ€?s “To Libertyâ€?; Lazarusâ€?s “The New Colossusâ€?; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Korē the Virgin Mary and Queen Elizabeth I
  • 12 The Education of Henry Adams; Arnoldâ€?s “Stanzas from the Grande Chartreuseâ€?; Wandering between Two Worlds; Senecaâ€?s Medea; Whitman and the Rebound Seed
  • 13 “Three Songsâ€?; Golden Hair.
  • €œQuaker Hillâ€? and the Motherly Artist the Return of the Golden Age; Astraea and Atlantis
  • 14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain
  • 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D.H. Lawrence as Influences on The Bridge; Waldo Frankâ€?s Our America and the Image of Submergence
  • 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance
  • 17 The Aeneid, Book 6, and “The Tunnelâ€?
  • €œCutty Sarkâ€? and Glaucus in Ovid Burnsâ€?s “Tam oâ€? Shanterâ€?; Glaucus in Keatsâ€?s Endymion
  • 18 Time and Eternity in “Cutty Sarkâ€?; Stamboul Rose, Atlantis Rose, and Danteâ€?s Rose; Moby-Dick and “Cutty Sarkâ€?
  • 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo
  • 20 Constellations and The Bridge
  • 21 Constellations Continued; Panis Angelicus
  • 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; “Atlantisâ€?; One Arc Synoptic of All Times