The Cultural Study of Music : a Critical Introduction.
What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the y...
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| Other Authors: | , |
| Format: | Electronic |
| Language: | English |
| Published: |
Hoboken :
Taylor & Francis,
2011.
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| Subjects: | |
| Online Access: | Click for online access |
| LEADER | 04572cam a2200493Mi 4500 | ||
|---|---|---|---|
| 001 | ocn798532913 | ||
| 003 | OCoLC | ||
| 005 | 20231105213017.0 | ||
| 006 | m o d | ||
| 007 | cr unu|||||||| | ||
| 008 | 121121s2011 xx o 000 0 eng d | ||
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| 020 | |a 9780203149454 | ||
| 020 | |a 0203149459 | ||
| 035 | |a (OCoLC)798532913 | ||
| 050 | 4 | |a ML3798 .C85 2012 | |
| 049 | |a HCDD | ||
| 100 | 1 | |a Clayton, Martin. | |
| 245 | 1 | 4 | |a The Cultural Study of Music : |b a Critical Introduction. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2011. | ||
| 300 | |a 1 online resource (481 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; The Cultural Study of Music: A Critical Introduction; Copyright; Contents; Preface to the Second Edition; Notes of Contributors; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories; Chapter 1. Music and Biocultural Evolution; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement; Chapter 3. Historical Musicology: Is It Still Possible?; Chapter 4. Social History and Music History; Chapter 5. Musicology, Anthropology, History; Part 2: Where? Locations of Music; Chapter 6. Textual Analysis or Thick Description? | |
| 505 | 8 | |a Chapter 7. Comparing Music, Comparing MusicologyChapter 8. The Destiny of "Diaspora" in Ethnomusicology; Chapter 9. Globalization and the Politics of World Music; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music; Chapter 12. Music, Space, and Place: The Geography of Music; Chapter 13. Music and Everyday Life; Part 3: How? Processes, Practices, and Institutions of Music; Chapter 14. Music, Culture, and Creativity; Chapter 15. Musical Autonomy Revisited. | |
| 505 | 8 | |a Chapter 16. Music as PerformanceChapter 17. The Cultural Study of Musical Instruments; Chapter 18. Music Education, Cultural Capital, and Social Group Identity; Chapter 19. Music Technology, or Technologies of Music?; Chapter 20. Music and Material Culture; Part 4: Whose? Social Forces and Musical Belongings; Chapter 21. Music and Social Categories; Chapter 22. Music and Mediation: Toward a New Sociology of Music; Chapter 23. Music and the Social; Chapter 24. Locating the People: Music and the Popular; Chapter 25. Music and the Market: The Economics of Music in the Modern World. | |
| 505 | 8 | |a Chapter 26. Music, Sound, and ReligionChapter 27. Music, Race, and the Fields of Public Culture; Chapter 28. Music, Gender, and Sexuality; Part 5: Who? Musical Subjectivities; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory; Chapter 30. Musical Materials, Perception, and Listening; Chapter 31. Music, Experience, and the Anthropology of Emotion; Chapter 32. Towards a Political Aesthetics of Music; Chapter 33. Music and the Subject: Three Takes; Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle. | |
| 505 | 8 | |a Chapter 35. Subjectivity Unbound: Music, Language, CultureReferences; Index. | |
| 520 | |a What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the years since the book's initial publication. Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. It includes both pioneering theoretical essays and exhaustivel. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 0 | |a Musicology. | |
| 650 | 7 | |a musicology. |2 aat | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Musicology |2 fast | |
| 650 | 1 | 7 | |a Culturele waarden. |2 gtt |
| 650 | 1 | 7 | |a Muzieksociologie. |2 gtt |
| 700 | 1 | |a Herbert, Trevor. | |
| 700 | 1 | |a Middleton, Richard. | |
| 776 | 0 | 8 | |i Print version: |a Clayton, Martin. |t Cultural Study of Music : A Critical Introduction. |d Hoboken : Taylor & Francis, ©2011 |z 9780415881906 |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=957262 |y Click for online access |
| 903 | |a EBC-AC | ||
| 994 | |a 92 |b HCD | ||