|
|
|
|
| LEADER |
00000cam a2200000Mu 4500 |
| 001 |
ocn804665010 |
| 003 |
OCoLC |
| 005 |
20240809213013.0 |
| 006 |
m o d |
| 007 |
cr un||||||||| |
| 008 |
121120s2012 xx o 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCO
|d IDEBK
|d OCLCO
|d OCLCQ
|d UKDOC
|d OCLCQ
|d MERUC
|d OCLCQ
|d SGP
|d OCLCO
|d OCLCF
|d OCLCQ
|d VI#
|d OCLCO
|d OCLCL
|
| 020 |
|
|
|a 9781136624773
|
| 020 |
|
|
|a 1136624775
|
| 035 |
|
|
|a (OCoLC)804665010
|
| 050 |
|
4 |
|a NX180.I57 G67 2012
|
| 049 |
|
|
|a HCDD
|
| 100 |
1 |
|
|a Goriunova, Olga.
|
| 245 |
1 |
0 |
|a Art Platforms and Cultural Production on the Internet /
|c Olga Goriunova.
|
| 260 |
|
|
|a Hoboken :
|b Taylor and Francis,
|c 2012.
|
| 300 |
|
|
|a 1 online resource (177 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
|
|a text file
|2 rdaft
|
| 490 |
1 |
|
|a Routledge Research in Cultural and Media Studies
|
| 505 |
0 |
|
|a Cover; Art Platforms and Cultural Production on the Internet; Copyright; Contents; List of Figures; Acknowledgments; Introduction: Departing from an Art Platform; 1. Organizing Free-range Creativity; 2. Aesthetic Brilliance and Repetition; 3. Organizational Aesthetics, Digital Folklore, and Software; 4. Geeky Publics, Amateurs, and the Potency of Art; Afterword; Notes; Bibliography; Index.
|
| 520 |
|
|
|a In this book, Goriunova offers a critical analysis of the processes that produce digital culture. Digital cultures thrive on creativity, developing new forces of organization to overcome repetition and reach brilliance. In order to understand the processes that produce culture, the author introduces the concept of the art platform, a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Art platforms can occur in numerous contexts bringing about genuinely new cultural production, that, given enough force, come together to sustain an open mechanism while negotiating social, technical and political modes of power.
|
| 588 |
0 |
|
|a Print version record.
|
| 650 |
|
0 |
|a Art and the Internet.
|
| 650 |
|
0 |
|a Arts and society.
|
| 650 |
|
0 |
|a Internet
|x Social aspects.
|
| 650 |
|
0 |
|a Technology and the arts.
|
| 650 |
|
7 |
|a Art and the Internet
|2 fast
|
| 650 |
|
7 |
|a Arts and society
|2 fast
|
| 650 |
|
7 |
|a Internet
|x Social aspects
|2 fast
|
| 650 |
|
7 |
|a Technology and the arts
|2 fast
|
| 758 |
|
|
|i has work:
|a Art platforms and cultural production on the internet (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFtRjyCPCc9PMw4RQ9RRDm
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Goriunova, Olga.
|t Art Platforms and Cultural Production on the Internet.
|d Hoboken : Taylor and Francis, ©2012
|z 9780415893107
|
| 830 |
|
0 |
|a Routledge research in cultural and media studies.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=979050
|y Click for online access
|
| 903 |
|
|
|a EBC-AC
|
| 994 |
|
|
|a 92
|b HCD
|