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00000ccm a2200000 a 4500 |
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ocn805674311 |
| 003 |
OCoLC |
| 005 |
20240623213015.0 |
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m o d |
| 007 |
cr bn||||||abp |
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120809s1922 enkmua odhi n eng d |
| 040 |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCA
|d OCLCQ
|d ALSTP
|d UPM
|d WYU
|d DEBBG
|d COO
|d CUS
|d OCLCO
|d OCLCQ
|d OCLCL
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| 019 |
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|a 994132713
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| 028 |
2 |
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|a 14731
|b Novello
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| 035 |
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|a (OCoLC)805674311
|z (OCoLC)994132713
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|a dlr
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|a u7u9
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|a cn
|a pt
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|a ca02
|a zn
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|a ca03
|a zn
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|a M3b .P8 1878 v. 22
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Purcell, Henry,
|d 1659-1695.
|1 https://id.oclc.org/worldcat/entity/E39PBJmMY7Bbv7K9H3bXr8wt8C
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| 240 |
1 |
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|a Vocal music.
|k Selections
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| 245 |
1 |
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|a Catches, rounds, two-part and three-part songs /
|c composed by Henry Purcell ; edited by W. Barclay Squire and J.A. Fuller-Maitland.
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| 260 |
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|a London :
|b Novello ;
|a New York :
|b H.W. Gray, sole agents for the U.S.A.,
|c 1922.
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| 300 |
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|a 1 online resource (1 score (5, lxiv, 187 pages))
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| 336 |
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|a notated music
|b ntm
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 344 |
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|a digital
|2 rda
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| 347 |
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|a data file
|2 rda
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| 348 |
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|a score
|2 rdafnm
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| 382 |
0 |
1 |
|a equal voices
|e 1
|t 1
|2 lcmpt
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| 382 |
0 |
1 |
|a boy soprano voice
|n 1
|p tenor voice
|n 1
|a bass voice
|n 1
|s 2
|2 lcmpt
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| 382 |
0 |
1 |
|a boy soprano voice
|n 2
|p tenor voice
|n 2
|a bass voice
|n 1
|s 3
|2 lcmpt
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| 490 |
1 |
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|a The works of Henry Purcell ;
|v v. XXII
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| 500 |
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|a For 2-3 voices with unspecified instrumental acc.
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| 546 |
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|a English words; also printed as text in commentary.
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| 500 |
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|a Catches and rounds edited by Squire; part songs edited by Fuller-Maitland.
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| 500 |
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|a Introduction includes critical commentary.
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|a Catches: An ape, a lion, a fox and an ass ; As Roger last night ; Bring the bowl and cool Nantz ; Call for the reckoning ; Come, let us drink ; Come, my heart ; Down, down with Bacchus ; Drink on, till night be spent ; God save our sovereign Charles ; Great Apollo and Bacchus ; He that drinks is immortal ; A health to the nut-brown lass ; Here's a health, let it pass ; Bartholomew Fair ; I gave her cakes ; If all be true that I do think ; A catch upon Charleroy ; The jovial drinker ; Let us drink to the blades ; The Macedon youth ; My lady's coachman, John (The pensioner) ; Now England's great council ; Now, now we are met ; Of all the instruments that are ; Once in our lives ; Once, twice, thrice, I Julia tried ; One industrious insect and the sweetness of th' other ; Pale faces, stand by.
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|a Plague on you for a fop ; Prithee ben't so sad and serious ; Room for th' express ; Since the Duke is return'd (Upon the Duke's return) ; Since time so kind to us does prove ; Sir Walter enjoying (The scolding) ; Soldier, soldier, take off thy wine ; Sum up all the delights ; The surrender of Lim'rick ; 'Tis easy to force ; 'Tis too late for a coach ; 'Tis women makes us love ; To all lovers of music ; To thee and to a lass ; True Englishmen drink ; Under a green elm ; Under this stone ; When V and I together met ; Who comes there ; Wine in a morning ; Would you know how we met ; Young Collin Cleaving ; Young John the gardener (The servant's ball) ; Fie, nay prithee, John ; Full bags ; The glass was just tim'd ; The miller's daughter riding to the fair ; since women so false ; Tom making a manteau.
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|a Two-part songs: When gay Philander left the plain ; Adieu to his mistress ; Though my mistress be fair ; A dialogue betwixt Alexis and Sylvia ; When lovely Phillis thou art kind ; A serenading song ; A saw fair Cloris all alone ; Sylvia, 'tis true you're fair ; Come, dear companions of th'Arcadian fields ; A health to King James II ; Saccharissa's gown old ; Teucer's voyage ; Oft am I by the women told ; How sweet is the air and refreshing ; Fill the bowl with rosy wine ; Is some kind dream ; Love and despair ; A dialogue between Strephon and Dorinda ; Here's to thee, Dick ; How pleasant is this flowery plain ; Let Hector, Achilles and each brave commander ; Were I to choose the greatest bliss ; Nestor, who did to thrice man's age ; Lost is my quiet forever ; A dialogue between Thirsis and Daphne ; Fair Cloe my breast so alarms.
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| 505 |
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|a The epicure ; What can we poor females do ; Dulcibella, whene'er I sue for a kiss ; When Myra sings ; Elegy upon the death of Queen Mary ; For love ev'ry creature ; There ne'er was so wretched a lover as I ; In all our Cinthia's shining sphere ; While bolts and bars my day control ; Trip it, trip it in a ring ; Go tell Amynta, gentle swain ; Turn then thine eyes ; Julia, your unjust disdain ; I spy Celia ; While you for me alone had charms (The 9th ode of Horace imitated : a dialogue betwixt the Poet and Lydia) ; Above the tumults of a busy state ; Alas, how barbarous are we ; Silvia, thou brighter eye of night ; See where she sits ; Oh! what a scene does entertain my sight ; A dialogue between Charon and Orpheus -- Three part songs: A drinking song ; When the cock begins to crow ; Sweet Tyraness, I now resign ; The blind beggar's song.
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| 506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2012.
|5 MiAaHDL
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| 538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
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|a digitized
|c 2012
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 588 |
0 |
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|a Print version record.
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| 650 |
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0 |
|a Glees, catches, rounds, etc.
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| 650 |
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|a Part songs, English.
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| 650 |
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7 |
|a Glees, catches, rounds, etc.
|2 fast
|0 (OCoLC)fst00943406
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| 650 |
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7 |
|a Part songs, English.
|2 fast
|0 (OCoLC)fst01053960
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| 655 |
|
7 |
|a Part songs.
|2 fast
|0 (OCoLC)fst01920272
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| 655 |
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7 |
|a Rounds (Music)
|2 fast
|0 (OCoLC)fst01920328
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| 655 |
|
7 |
|a Scores.
|2 fast
|0 (OCoLC)fst01692898
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| 655 |
|
7 |
|a Scores.
|2 lcgft
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| 655 |
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7 |
|a Rounds (Music)
|2 lcgft
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| 655 |
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7 |
|a Part songs.
|2 lcgft
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| 655 |
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7 |
|a Partitions (Musique)
|2 rvmgf
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| 655 |
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7 |
|a Rounds (Musique)
|2 rvmgf
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| 655 |
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7 |
|a Polyphonies.
|2 rvmgf
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| 700 |
1 |
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|a Squire, William Barclay,
|d 1855-1927.
|4 edt
|1 https://id.oclc.org/worldcat/entity/E39PBJc7QBVHh69XX37HC4Cfbd
|
| 700 |
1 |
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|a Fuller-Maitland, J. A.
|q (John Alexander),
|d 1856-1936.
|4 edt
|1 https://id.oclc.org/worldcat/entity/E39PBJcWw4mHggJQTHd3GhrXh3
|
| 758 |
|
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|i has work:
|a Catches, rounds, two-part and three-part songs (NotatedMusic)
|1 https://id.oclc.org/worldcat/entity/E39PCG98kVbxF6mY8MC6KxQkcK
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Purcell, Henry, 1659-1695.
|s Vocal music. Selections.
|t Catches, rounds, two-part and three-part songs.
|d London : Novello ; New York : H.W. Gray, sole agents for the U.S.A., 1922
|w (OCoLC)19801845
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| 800 |
1 |
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|a Purcell, Henry,
|d 1659-1695.
|t Works.
|f 1878 ;
|v v. 22.
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=http://www.aspresolver.com/aspresolver.asp?SHM4;2195418
|y Click for online access
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| 903 |
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|a ASP-SC
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| 994 |
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|a 92
|b HCD
|