Polygraphies : Francophone women writing Algeria

Polygraphies : Francophone women writing Algeria / Alison Rice.

"Coinciding with the fiftieth anniversary of Algeria's independence, Polygraphies is significant and timely in its focus on autobiographical writings by seven of the most prominent francophone women writers from Algeria today, including Maïssa Bey, Hélène Cixous, Assia Djebar, and Malik...

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Bibliographic Details
Main Author: Rice, Alison, 1973-
Format: eBook
Language:English
Published: Charlottesville : University of Virginia Press, 2012.
Subjects:
1900-1999
Algerian literature (French) > Women authors > History and criticism.
Women in literature.
Postcolonialism in literature.
Women authors, Algerian > Political and social views.
Women authors, Arab > Algeria > Political and social views.
Women and literature > Algeria > History > 20th century.
Feminism and literature > Algeria > History > 20th century.
LITERARY CRITICISM > European > French.
LITERARY CRITICISM > African.
Algerian literature (French) > Women authors
Feminism and literature
Literature
Postcolonialism in literature
Women and literature
Women authors, Arab > Political and social views
Women in literature
Algeria > In literature.
Algeria
Criticism, interpretation, etc.
History
Online Access:Click for online access
Table of Contents:
  • Introduction. The witness stand: where the truth lies
  • The autobiographical springboard. Le moi à plusieurs reprises: from confession to testimony in the autobiographical writings of Helene Cixous and Assia Djebar; La singularité de l'altérité: self-portraiture and the other in Maissa Bey
  • Takeoff points. La terre maternelle: Algeria and the mother in the work of Marie Cardinal, Helene Cixous, and Assia Djebar; "La celebration d'une terre-mère": Albert Camus and Algeria according to Maissa Bey and Assia Djebar
  • Embodiments. Écrire les maux: Helene Cixous and writing the body over time; Sexualités et sensualités: corporeal configurations in the work of Maissa Bey, Assia Djebar, Malika Mokeddem, and Leila Sebbar
  • Reverberations. Ruptures intimes: sentimental splitting in the work of Assia Djebar; Lourds retours: coming back to Algeria in Malika Mokeddem's L'interdite; Fille de harki: relating to the father, country, and religion in the writing of Zahia Rahmani; Fabulation et imagination: women, nation, and identification in Maissa Bey's Cette fille-là
  • Conclusion. Mass in A minor: putting Algeria on the map.

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