Between Opera and Cinema.

שמור ב:

מידע ביבליוגרפי
מחבר ראשי:	Joe, Jeongwon
מחברים אחרים:	Theresa, Rose
פורמט:	ספר אלקטרוני
שפה:	English
יצא לאור:	Hoboken : Taylor and Francis, 2012.
סדרה:	Critical and cultural musicology.
נושאים:	Motion pictures and opera. Operas > Film adaptations. Motion pictures and opera Operas Film adaptations
גישה מקוונת:	Click for online access

תוכן הענינים:

Cover
BETWEEN OPERA AND CINEMA
Title Page
Copyright Page
Table of Contents
SERIES EDITOR'S FOREWORD
INTRODUCTION
1 FROM MÉPHISTOPHÉLÈS TO MÉLIÈS: Spectacle and Narrative in Opera and Early Film
2 "THERE AIN'T NO SANITY CLAUS!": The Marx Brothers at the Opera
3 THE TALES OF HOFFMANN: An Instance of Operality
4 THE CINEMATIC BODY IN THE OPERATIC THEATER: Philip Glass's La Belle et la Bete
5 WHY DOES HOLLYWOOD LIKE OPERA?
6 OPERA IN FILM: Sentiment and Wit, Feeling and Knowing: The Shaw shank Redemption and Prizzi's Honor
7 IS THERE A TEXT IN THIS LIBIDO?: Diva and the Rhetoric of Contemporary Opera Criticism
8 THE ELUSIVE VOICE: Absence and Presence in Jean-Pierre Ponnelle's Film
9 VERDI IN POSTWAR ITALIAN CINEMA
10 CHINESE OPERA, GLOBAL CINEMA, AND THE ONTOLOGY OF THE PERSON: Chen Kaige's Farewell M y Concubine
11 SOUNDING OUT THE OPERATIC: Jacques Rivette's Noroit
AFTERWORD
CONTRIBUTORS
INDEX.

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