Between Opera and Cinema.

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Bibliographic Details
Main Author:	Joe, Jeongwon
Other Authors:	Theresa, Rose
Format:	eBook
Language:	English
Published:	Hoboken : Taylor and Francis, 2012.
Series:	Critical and cultural musicology.
Subjects:	Motion pictures and opera. Operas > Film adaptations. Motion pictures and opera Operas Film adaptations
Online Access:	Click for online access

Table of Contents:

Cover
BETWEEN OPERA AND CINEMA
Title Page
Copyright Page
Table of Contents
SERIES EDITOR'S FOREWORD
INTRODUCTION
1 FROM MÉPHISTOPHÉLÈS TO MÉLIÈS: Spectacle and Narrative in Opera and Early Film
2 "THERE AIN'T NO SANITY CLAUS!": The Marx Brothers at the Opera
3 THE TALES OF HOFFMANN: An Instance of Operality
4 THE CINEMATIC BODY IN THE OPERATIC THEATER: Philip Glass's La Belle et la Bete
5 WHY DOES HOLLYWOOD LIKE OPERA?
6 OPERA IN FILM: Sentiment and Wit, Feeling and Knowing: The Shaw shank Redemption and Prizzi's Honor
7 IS THERE A TEXT IN THIS LIBIDO?: Diva and the Rhetoric of Contemporary Opera Criticism
8 THE ELUSIVE VOICE: Absence and Presence in Jean-Pierre Ponnelle's Film
9 VERDI IN POSTWAR ITALIAN CINEMA
10 CHINESE OPERA, GLOBAL CINEMA, AND THE ONTOLOGY OF THE PERSON: Chen Kaige's Farewell M y Concubine
11 SOUNDING OUT THE OPERATIC: Jacques Rivette's Noroit
AFTERWORD
CONTRIBUTORS
INDEX.

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