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00000cam a2200000 a 4500 |
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ocn842246553 |
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OCoLC |
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20241006213017.0 |
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|a 2012016462
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| 037 |
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|a 9781136189869
|b Ingram Content Group
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| 043 |
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|a a-ii---
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| 050 |
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4 |
|a PN1993.5.I8
|b B424 2013eb
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| 072 |
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|a ART
|x 057000
|2 bisacsh
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| 072 |
|
7 |
|a PER
|x 004040
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Bhattacharya, Nandini.
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| 245 |
1 |
0 |
|a Hindi cinema :
|b repeating the subject /
|c Nandini Bhattacharya.
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| 260 |
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|a Abingdon, Oxon ;
|a New York, NY :
|b Routledge,
|c 2013.
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| 300 |
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|a 1 online resource (x, 219 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Intersections : colonial and postcolonial histories ;
|v 7
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| 504 |
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|a Includes bibliographical references (pages 194-210) and index.
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| 520 |
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|a "Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India. The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure to happenings. Establishing structure and event as paradigmatic poles of a historical and anthropological spectrum for the individual in society, the book goes on to discuss cinematic portrayals of violence, gender embodiment, religion, economic transformations and new globalised Indianness as events and sites of liminality disrupting structural aspirations. After revealing the impossibility of accurate representation of incommensurable and liminal subjects within the historiography of the nation-state, the book highlights how Hindi cinema as an ongoing engagement with the nation-state as a site of eventfulness draws attention to the problematic nature of the thematic of nation. It is a useful study for academics of Film Studies and South Asian Culture"--
|c Provided by publisher.
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0 |
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|a Print version record.
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0 |
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|a Structure, event, and liminal practices in recent Hindi films -- Imagining the past in the present : violence, gender, and citizenship in Hindi films -- The man formerly known as the actor : when Shah Rukh Khan reappeared as himself -- Romancing religion : Bollywood's painless globalization -- Love triangles at home and abroad : male embodiment as queer enactment.
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| 506 |
1 |
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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| 540 |
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
|5 WlAbNL
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| 650 |
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0 |
|a Motion pictures, Hindi
|x History
|y 20th century.
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| 650 |
|
7 |
|a SOCIAL SCIENCE
|x Ethnic Studies
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
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| 650 |
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7 |
|a ART
|x Film & Video.
|2 bisacsh
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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| 650 |
|
7 |
|a Motion pictures, Hindi
|2 fast
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| 650 |
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7 |
|a Hindi
|2 gnd
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| 650 |
|
7 |
|a Film
|2 gnd
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| 650 |
|
7 |
|a Wiederholung
|g Motiv
|2 gnd
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| 651 |
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7 |
|a India.
|2 gtt
|0 (NL-LeOCL)078543428
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| 648 |
|
7 |
|a 1900-1999
|2 fast
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| 655 |
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0 |
|a Electronic books.
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| 655 |
|
7 |
|a History
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|a Bhattacharya, Nandini.
|t Hindi cinema.
|d Abingdon, Oxon ; New York, NY : Routledge, 2013
|z 9780415698672
|w (DLC) 2012016462
|w (OCoLC)758394622
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| 830 |
|
0 |
|a Intersections (London, England) ;
|v 7.
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1181078
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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