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|a HCDD
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| 100 |
1 |
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|a Rau, Petra,
|d 1969-
|e author.
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| 245 |
1 |
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|a Our Nazis :
|b representations of fascism in contemporary literature and film /
|c Petra Rau.
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| 264 |
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|a Edinburgh :
|b Edinburgh University Press,
|c [2013]
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|c ©2013
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| 300 |
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|a 1 online resource (vii, 214 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Edinburgh critical studies in war and culture
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|a Print version record.
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|a Includes bibliographical references (pages 195-210) and index.
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|a Title Page; Copyright; Contents; Acknowledgements; Sources of Illustrations; Series Editors' Preface; Introduction: 'Having Your Nazi Cake and Eating it'; 1 Nazi Noir: Hardboiled Masculinity and Fascist Sensibility from Ambler and Greene to Philip Kerr; 2 The Fascist Corpus in the Age of Holocaust Remembrance; 3 'Fascism' as Excess and Abjection: Jonathan Littell's The Kindly Ones; 4 The Good German: The Stauffenberg Plot and its Discontents; 5 'Operation Kino': Quentin Tarantino's Inglourious Basterds as Meta-cinematic Farce; Coda; Bibliography; Index.
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| 520 |
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|a An analysis of the resurgent cultural fascination with Nazism since 1989. Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history. In 5 thematic chapters on Nazi Noir, Men in Uniform, Vile Bodies, The Good German and Meta-Cinematic Farce, Rau provides close analysis of contemporary novels such as Jason Lutes' graphic novel series Berlin, historical crime fiction by Philip Kerr and others, Robert Harris' Fatherland, Ian McEwan's Black Dogs and Justin Cartwright's The Song Before It Is Sung; films such as Bryan Singer's Valkyrie and Quentin Tarantino's Inglorious Bastards; art installations including Mirroring Evil: Nazi Imagery/Recent Art, and Fucking Hell by Jake and Dinos Chapman; and Piotr Uklanski's photo frieze, Untitled (The Nazis). Key Features:. Broad interdisciplinary approach which includes literature, film, TV and art Wide coverage of popular forms and High Art Comparison with earlier material about fascism which reaches back to the 1930s
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| 650 |
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|a National socialism in literature.
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| 650 |
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|a National socialism in motion pictures.
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| 650 |
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|a Nazis in motion pictures.
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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| 650 |
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|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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| 650 |
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7 |
|a National socialism in literature
|2 fast
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| 650 |
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|a National socialism in motion pictures
|2 fast
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| 650 |
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|a Nazis in motion pictures
|2 fast
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| 655 |
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|a Electronic books.
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| 758 |
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|i has work:
|a Our Nazis (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGKb6yp8BWpkgJ9CRtH8cq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Rau, Petra, 1969-
|t Our Nazis.
|d Edinburgh : Edinburgh University Press, ©2013
|z 9780748668649
|w (DLC) 2013409703
|w (OCoLC)827267070
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| 830 |
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|a Edinburgh critical studies in war and culture.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1224211
|y Click for online access
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|a EBC-AC
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|b HCD
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