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|a (OCoLC)852014179
|z (OCoLC)1117177708
|z (OCoLC)1171969392
|z (OCoLC)1172165513
|z (OCoLC)1247150880
|z (OCoLC)1259238266
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|a 508554
|b MIL
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|a ML3800
|b .R37 2013
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|a HCDD
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| 245 |
0 |
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|a Representation in western music /
|c [edited by] Joshua S. Walden.
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|a [Cambridge, England?] :
|b Cambridge University Press,
|c 2013.
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Online resource; title from digital resource (viewed Apr. 22, 2013).
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|a This volume assembles leading scholars to provide a comprehensive study of representation in music from the nineteenth century to today.
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|a Illustrations; Contributors; Acknowledgements; Introduction; Notes; Part I Representation and the interpretation of musical meaning; 1 Layers of representation in nineteenth-century genres: the case of one Brahms ballade; Notes; 2 Às a stranger give it welcomé: musical meanings in 1830s London; Notes; 3 M̀usic is obscuré: textless Soviet works and their phantom programmes; I The origins of the Soviet phantom programme; II The licence of war: representation in Soviet music, 1941-1948; III The game exposed; Notes; 4: Representing Arlen; I; II; III; IV; V; Appendix; Notes.
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|a 5 Video cultures: B̀ohemian Rhapsodý, Waynés World, and beyondRepresenting music; Musical representation; Beyond representation; Notes; Part II Sound and visual representations: music, painting, and dance; 6 Òn wings of sonǵ: representing music as agency in nineteenth-century culture; Representing music: from allegory to àgencý?; Òn wings of sonǵ: transporting the listening subject; Music and the r̀edemptive tableaú; Orpheus, Beethoven, Schumann and the Fata Morgana of t̀he Music Itself;́ Notes; 7 Representation and musical portraiture in the twentieth century.
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|a Philip Glasśs À Musical Portrait of Chuck CloséLigetís S̀elbstportrait;́ Coda: Virgil Thomsońs B̀uffie Johnsoń, in conclusion; Notes; 8 Representational conundrums: music and early modern dance; Jean dÚdine, ĹArt et le geste; Loie Fuller, ĺenchanteresse; Valentine de Saint-Point, La Métachorie; ĹUnion parfaite (conclusion); Notes; Part III Musical representations in opera and cinema; 9 Allusive representations: homoerotics in Wagneŕs Tristan; Notes; 10 Der Dichter spricht: self-representation in Parsifal; 1; 2; 3; 4; Notes; 11 Memory and the leitmotif in cinema.
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|a Introducing a filḿs t̀opicśThe beginning as a s̀et-uṕ; Film music and the àesthetics of the hindsight;́ Learning to fear the shark; From reference to embodiment; Notes; 12 Self-representation in music: the case of Hindemithś meta-opera Cardillac; I; II; Notes; Part IV Music, representation, and the concepts of East and West; 13 Doing more than representing western music; Representation and excessive feeling; Representation and embodiment; Notes; 14 The persistence of Orientalism in the postmodern operas of Adams and Sellars; Getting over Orientalism?
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|a John Adams and Peter Sellars as postmodern multiculturalistsAre the Chinese exotic in Nixon in China?; The magical multicultural mélange of A Flowering Tree; Glamorous and unglamorous exoticism in The Death of Klinghoffer; Native song and dance in Doctor Atomic; Adams and Sellars critiquing the Orientalist critique; Notes; Afterword: What else; I; II; III; IV; Notes; Index.
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| 546 |
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|a English.
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| 650 |
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|a Music
|x Philosophy and aesthetics.
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| 650 |
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|a Music
|x Social aspects.
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| 650 |
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|a Music
|x Philosophy and aesthetics
|2 fast
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| 650 |
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|a Music
|x Social aspects
|2 fast
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| 700 |
1 |
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|a Walden, Joshua S.
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| 710 |
2 |
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|a Cambridge University Press.
|p Cambridge NYU Collection 2013.
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| 758 |
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|i has work:
|a Representation in Western music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGrwyY3KC6GBMJQ8RwFgw3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|z 9781299773035
|w (DLC) 2012029087
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1113071
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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