Music and musical thought in early India / Lewis Rowell.

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Bibliographic Details
Main Author: Rowell, Lewis Eugene, 1933- (Author)
Format: eBook
Language:English
Published: Chicago : University of Chicago Press, 1992.
Series:Chicago studies in ethnomusicology.
Subjects:
Online Access:Click for online access

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100 1 |a Rowell, Lewis Eugene,  |d 1933-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJdWQvGKQRTtxKQ4dvjQv3 
245 1 0 |a Music and musical thought in early India /  |c Lewis Rowell. 
264 1 |a Chicago :  |b University of Chicago Press,  |c 1992. 
300 |a 1 online resource (xvii, 409 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Chicago studies in ethnomusicology 
588 0 |a Print version record. 
504 |a Includes bibliographical references (pages 387-395) and index. 
505 0 |a Preface; Acknowledgments; The Sounds of Sanskrit; Abbreviations; About the Frontispiece; 1. Introduction; 1.1 -- Music and Musical Thought in Early India; 1.2 -- The Divisions of Music; 1.3 -- Microcosm and Macrocosm; 1.4 -- Chronology and Sources; 2. Thought; 2.1 -- Introduction; 2.2 -- Continuities of Indian Thought; 2.3 -- Systematic Thinking; 2.4 -- Symbolic Thinking; 3. Sound; 3.1 -- Introduction; 3.2 -- The Divisions of Sound; 3.3 -- The Theory of Sound; 3.4 -- Sound: A Lexicon; 3.5 -- Causal Sound: Nada; 3.6 -- Akaśa, the Medium of Sound; 3.7 -- Sound and the External World. 
505 8 |a 3.8 -- Three Ancient Conceptions of Musical Sound4. Chant; 4.1 -- Introduction; 4.2 -- Samavedic Chant; 4.2.1 -- The Role of Memory; 4.2.2 -- Chironomy; 4.2.3 -- Duration and Tempo; 4.2.4 -- Dynamics; 4.3 -- The Phonetic Treatises; 4.4 -- Some Distinctive Features of Sanskrit and Their Musical Consequences; 4.5 -- Narada's Śiksa and the Organization of Musical Pitch; 4.6 -- Milieu; 5. Theater; 5.1 -- Introduction; 5.2 -- The Natyaśastra; 5.3 -- The Preliminary Rituals; 5.4 -- The Incidental Music; 5.5 -- Instruments; 5.6 -- Epilogue; 6. Śastra; 6.1 -- Introduction; 6.2 -- Musical Scholarship. 
505 8 |a 6.3 -- Musical Discourse6.4 -- The Language of Musical Speculation; 6.5 -- Notations; 7. Pitch; 7.1 -- Introduction; 7.2 -- The Gamut and Its Tuning; 7.3 -- Philosophical Arguments on Śruti and Svara; 7.4 -- The Gamut and Its Variables; 7.5 -- Sonance; 7.6 -- The Tanas; 7.7 -- Melodic Choices; 7.8 -- The Concept of Raga; 8. Time; 8.1 -- Introduction; 8.2 -- The Idea of Time in Ancient India; 8.3 -- Tala; 8.4 -- Chironomy; 8.5 -- Rhythmic Patterns; 8.6 -- The Concept of State; 8.7 -- Timing; 8.8 -- The Deśi Talas; 8.9 -- The Influence of Metrics; 8.10 -- The Rhythms of Indian Music; 9. Form; 9.1 -- Introduction. 
505 8 |a 9.2 -- Formal Archetypes9.2.1 -- The Human Body; 9.2.2 -- Organic Growth; 9.2.3 -- Ritual; 9.2.4 -- Creation; 9.3 -- Formal Components; 9.4 -- Formal Tactics; 9.4.1 -- Upobana; 9.4.2 -- Upauartana; 9.4.3 -- Prastara; 9.5 -- Ritual Forms; 9.6 -- Minor Forms; 10. Song; 10.1 -- Introduction; 10.2 -- The Prabandhas; 10.3 -- Song Forms; 10.4 -- A Garland of Songs; 10.5 -- Expansion of the Genre; 10.6 -- Cultural Mapping; 10.7 -- The Theory and Practice of Song; 11. Style; 11.1 -- Introduction; 11.2 -- Gender; 11.3 -- Qualifications; 11.4 -- Gunas and Dosas; 11.5 -- The Qualities of Musical Sound. 
505 8 |a 11.6 -- Style as a Composite11.7 -- Levels of Ornamentation; 11.8 -- Rasa; 11.9 -- The Values of Indian Music; 12. Afterthoughts; Notes; Glossary of Sanskrit Terms; Bibliography; Index. 
650 0 |a Music theory  |z India. 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 7 |a Music theory  |2 fast 
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830 0 |a Chicago studies in ethnomusicology. 
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