Fidelio / Ludwig van Beethoven.

Beethoven's only opera attracts the greatest singers and conductors, not only for its passionate music, but also because of its profoundly stirring message of freedom and the rights of the individual against tyranny. It all comes together superbly in this historic performance led by the legenda...

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書目詳細資料
主要作者: Beethoven, Ludwig van, 1770-1827 (Composer)
企業作者: Metropolitan Opera (New York, N.Y.) (Performer)
其他作者: Nilsson, Birgit (Performer), King, James, 1925-2005 (Performer), Evans, Geraint, 1922-1992 (Performer), Edelmann, Otto (Performer), Böhm, Karl, 1894-1981 (Conductor)
格式: 影片
語言:German
出版: [New York, New York] : [Metropolitan Opera], [1966]
主題:
在線閱讀:Click for online access
Uniform Title:Fidelio

MARC

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240 1 0 |a Fidelio  |n (1814) 
245 1 0 |a Fidelio /  |c Ludwig van Beethoven. 
264 1 |a [New York, New York] :  |b [Metropolitan Opera],  |c [1966] 
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380 |a Opera 
546 |a Sung in German. 
511 0 |a Birgit Nilsson ; James King ; Geraint Evans ; Otto Edelmann ; Metropolitan Opera Orchestra and Chorus ; Karl Böhm, conductor. 
518 |a Recorded live in 1966 at the Metropolitan Opera, New York, New York. 
500 |a Duration: 2 hr., 4 min., 56 sec. 
520 |a Beethoven's only opera attracts the greatest singers and conductors, not only for its passionate music, but also because of its profoundly stirring message of freedom and the rights of the individual against tyranny. It all comes together superbly in this historic performance led by the legendary conductor Karl Böhm. Birgit Nilsson is Leonore, the woman who disguises herself as a man in her desperate attempt to locate her husband Florestan (James King, a couple weeks after his Met debut in the same role), who has been unjustly imprisoned by his enemy, Don Pizarro (Geraint Evans). 
505 0 0 |t Overture --  |t Jetzt, Schätzchen, jetzt sind wir allein --  |t Der arme Jaquino-- O wär' ich schon mit dir vereint --  |t Dialogue: Marzelline, ist Fidelio noch nicht zurück gekommen? --  |t Mir ist so wunderbar --  |t Nun, meinen Kinder-- Hat man nicht auch Gold beneben --  |t Dialogue: Es gibt noch etwas --  |t Gut Söhnchen, gut, hab immer Mut --  |t March --  |t Dialogue: Die Depeschen! --  |t Ha!, welch' ein Augenblick! --  |t Dialogue: Hauptmann! --  |t Jetzt, Alter, hat es Eile! --  |t Abscheulicher! Wo eilst du hin?-- Komm Hoffnung --  |t Dialogue: Marzelline, sei diese Fidelio! --  |t O welche Lust! --  |t Nun sprecht, wie ging's? --  |t Leb'wohl, du warmes Sonnenlicht --  |t Introduction --  |t Gott! welch dunkel hier-- In des Lebens Frühlingstagen --  |t Dialogue: Wie kalt ist es --  |t Nur hurtig fort, nur frisch gegraben --  |t Dialogue: Er erwacht! --  |t Euch werde Lohn in bessern Welten --  |t Dialogue: Alles ist bereit --  |t Er sterbe! --  |t Dialogue: O meine Leonore!-- O namenlose Freude! --  |t Overture: Leonore No. 3 --  |t Heil sei dem Tag --  |t Gefesselt, bleich steht er vor mir --  |t O Gott! Welch' ein Augenblick! --  |t Wer ein holdes Weib errungen. 
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700 1 |a Nilsson, Birgit,  |e performer  |4 prf 
700 1 |a King, James,  |d 1925-2005,  |e performer.  |4 prf  |1 https://id.oclc.org/worldcat/entity/E39PBJhCJbDYxGtGhfpXkTTT73 
700 1 |a Evans, Geraint,  |d 1922-1992,  |e performer.  |4 prf  |1 https://id.oclc.org/worldcat/entity/E39PBJfX4rTgc8fmDP3rrf8KVC 
700 1 |a Edelmann, Otto,  |e performer  |4 prf 
700 1 |a Böhm, Karl,  |d 1894-1981,  |e conductor.  |4 cnd  |1 https://id.oclc.org/worldcat/entity/E39PBJvRQRVTmhGHVcGcKJYQMP 
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