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ocn860615333 |
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OCoLC |
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20240623213015.0 |
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m o d |
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010219s1999 enk ob 001 0 eng d |
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|a NLE
|b eng
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|c NLE
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|d OCLCQ
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|d OCLCQ
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|a 893333792
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|a 1847141757
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|a 9781847141750
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|a (OCoLC)860615333
|z (OCoLC)893333792
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|a PR2827
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|a HCDD
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|a A midsummer night's dream /
|c edited by Judith M. Kennedy and Richard F. Kennedy.
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| 260 |
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|a London :
|b Athlone,
|c 1999.
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| 300 |
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|a 1 online resource (xxi, 461 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a Shakespeare, the critical tradition
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| 504 |
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|a Includes bibliographical references and index.
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|a GENERAL EDITOR''S PREFACE; PREFACE; INTRODUCTION; 1 Moral conventions and human sympathy, 1775; 2 Artists' interpretations of dramatic effects, 1787; 3 Commentary on A Midsummer Night's Dream, 1790; 4 Bottom as coxcomb, 1792; 5 Response to Malone, 1793; 6 Illustrations of some passages, 1794; 7 His fertile and creative fancy, 1800; 8 On metre, invention, and a unified whole, 1815; 9 Unity of feeling and of imagery, and the fairies, 1817; 10 Bottom, Puck, and the incompatibility of poetry and the stage, 1817; 11 Malone's last words, 1821; 12 Mainly on the fairies, 1824.
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|a 13 The fairy world, the clowns, the poetry, 182814 New actors on the mimic scene-the fairies, 1828; 15 Marginalia and other notes, 1836; 16 Bottom the lucky man, 1837; 17 Critics refuted, 1838; 18 Originality in structure, machinery, and language, 1839; 19 The Pictorial Edition of A Midsummer Night's Dream, 1839; 20 The poet's dream, 1840; 21 Anachronisms, Nick Bottom as Midas, and stage representation, 1841; 22 Oberon's Vision allegorized, 1843; 23 Fairy drama and human nature, 1843; 24 Poet of the Fairies, 1844; 25 A comment, with some explanatory notes, 1845.
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|a 26 The theme of self-parody, 184627 Introductory remarks, 1847; 28 The sister arts, and the play's structural balance, 1848; 29 A festival of dainties, 1851; 30 The Dream and Art, 1851, 1872, 1883, 1884; 31 A most charming entertainment of the stage, 1853; 32 Samuel Phelps''s Bottom, 1853; 33 Dramatic and poetic art, 1854; 34 Dialogue with a sceptic, 1854; 35 Critical remarks on the play, 1856; 36 Celtic elements, 1859; 37 Genre and inner purpose, 1863; 38 Intuitive power of characterization, 1863; 39 The play's limitations, 1864; 40 The sacred mysteries in the play, 1865.
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|a 41 The secret meaning of the Interlude, 186542 The perfection of imbecilic clowns, 1866; 43 Not critics, but lowly worshippers of the Beautiful, 1869; 44 The theme is love, 1871; 45 Bottom -- an ass, but no fool, 1873; 46 A Midsummer Night's Dream as masque, 1874; 47 Self-reflexive structure: the Real, the Ideal, and the Representation, 1874; 48 Shakespeare differentiated from Bacon, 1875; 49 Theseus as the central figure, 1875; 50 A comedy of incident, 1875; 51 Consummation of Shakespeare's lyrical genius, 1876; 52 Bottom, a self-made man, 1876; 53 The full glow of fancy and fun, 1877.
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|a 54 The wood is the world, 187955 Titania and Ovid, 1880; 56 A Platonic reading, 1884; 57 Interpreting the spoken verse, 1885; 58 Observations on the lovers and the mechanicals, 1886; 59 Poet rather than dramatist, 1888; 60 Source of the play's popularity, 1888; 61 Classical and modern, 1890; 62 Reason and desire in Oberon and Titania, 1890; 63 The development of morality and art, 1891; 64 A true work of art, 1894; 65 The duration of the action, 1895; 66 Life and art, 1895; 67 Daly and the idea of titivation, 1895; 68 Remarks on the play and modern education, 1895.
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| 520 |
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|a This study traces the response to ""A Midsummer Night''s Dream"" from Shakespeare''s day to the present, including critics from Britain, Europe and America.
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1 |
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|a Shakespeare, William,
|d 1564-1616.
|t Midsummer night's dream.
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| 630 |
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|a Midsummer night's dream (Shakespeare, William)
|2 fast
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|a Comedy.
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| 650 |
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|a comedy plays.
|2 aat
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| 650 |
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|a Comedy
|2 fast
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| 700 |
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|a Kennedy, Judith M.,
|d 1935-
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| 700 |
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|a Kennedy, Richard F.,
|d 1933-
|1 https://id.oclc.org/worldcat/entity/E39PCjyr7kvkphWbGXdykBhQ9C
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| 758 |
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|i has work:
|a A midsummer night's dream (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFXBGCGhfV8CHbgV93cyYd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
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|c Hardback
|z 9780485810035
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| 830 |
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|a Shakespeare, the critical tradition.
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=436087
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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