Signs of music : a guide to musical semiotics / by Eero Tarasti.

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Bibliographic Details
Main Author: Tarasti, Eero
Format: eBook
Language:English
Published: Berlin ; New York : Mouton de Gruyter, 2002.
Series:Approaches to applied semiotics ; 3.
Subjects:
Online Access:Click for online access
Table of Contents:
  • Music as sign
  • Is music sign?
  • Music as semiotic: A historical perspective
  • Peirce, Greimas, and music-semiotic analysis
  • Understanding / misunderstanding musical signs
  • Theses on understanding / misunderstanding musical signs
  • Theses on processes of understanding
  • Signs in music history, history of music semiotics
  • Signs in music itself
  • Romanticism
  • Modernism
  • History of musical scholarship in the light of semiotics
  • Main lines in the development of musical semiotics
  • Signs as acts and events: On musical situations
  • Situation as communication and signification
  • Situation as act and event
  • Situations as intertextuality
  • Articulation of situations
  • Gender, biology, and transcendence
  • Metaphors of nature and organicism in music: A "biosemiotic" approach
  • On the musically organic
  • Sibelius and the idea of the "organic"
  • Organic narrativity
  • The emancipation of the sign: On corporeal and gestural meanings in music
  • Body and transcendence in Chopin
  • Are corporeal signs iconic?
  • Are corporeal signs indexical?
  • Analysis
  • Social and musical practices
  • Voice and identity
  • Voice and signification
  • Text
  • Transcendence
  • Orality
  • Singing as social identity
  • National voice types
  • Gender
  • Education
  • Empirical methods
  • On the semiosis of musical improvisation: From Mastersingers to Bororo indians
  • Musical improvisation and semiotics
  • Improvisation as communication
  • Improvisation as signification: A peircean view.