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ocn864383243 |
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OCoLC |
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20240809213013.0 |
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m o d |
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131129s2010 xx o 000 0 eng d |
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|a IDEBK
|b eng
|e pn
|c IDEBK
|d OCLCQ
|d EBLCP
|d OCLCQ
|d ZCU
|d MERUC
|d OCLCQ
|d ICG
|d OCLCO
|d OCLCF
|d OCLCQ
|d DKC
|d AU@
|d OCLCQ
|d OCL
|d OCLCQ
|d UKKNU
|d S2H
|d OCLCO
|d OCLCQ
|d OCLCO
|d NUI
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| 019 |
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|a 1205076863
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|a 1306152852
|q (ebk)
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|a 9781306152853
|q (ebk)
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|a 9781618118479
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|a 1618118471
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|a (OCoLC)864383243
|z (OCoLC)1205076863
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|a 546536
|b MIL
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| 050 |
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4 |
|a PG2951.E46 2011eb
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Emerson, Caryl.
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| 245 |
1 |
0 |
|a All the Same The Words Don't Go Away :
|b Essays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition.
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| 260 |
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|b Academic Studies Press,
|c 2010.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
0 |
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|a Print version record.
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| 520 |
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|a Twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of co-existing "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic can overlap in thrilling ways that respect the competencies of each. The book includes an original preface written by David Bethea
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| 505 |
0 |
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|a Intro -- CONTENTS -- PREFACE -- GREAT ART SHOULD SLOW US DOWN: "PARTICIPATIVE THINKING" IN THE WORLD AND AS THE WORLD OF CARYL EMERSON David Bethea -- 1 POLYPHONY AND THE CARNIVALESQUE: INTRODUCING THE TERMS -- 2 THE EARLY PHILOSOPHICAL ESSAYS -- 3 COMING TO TERMS WITH CARNIVAL -- 4 GASPAROV AND BAKHTIN -- 5 FOUR PUSHKIN BIOGRAPHIES -- 6 PUSHKIN'S TATIANA -- 7 PUSHKIN'S BORIS GODUNOV -- 8 GEORGE STEINER ON TOLSTOY OR DOSTOEVSKY -- 9 TOLSTOY AND DOSTOEVSKY ON EVIL DOING -- 10 KUNDERA ON NOT LIKING DOSTOEVSKY -- 11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS -- 12 CHEKHOV AND THE ANNAS -- 13 FOREWORD TO RICHARD TARUSKIN'S ESSAYS ON MUSORGSKY -- 14 FROM "BORIS GODUNOV" TO "KHOVANSHCHINA" -- 15 TUMANOV ON MARIA OLENINA D'ALHEIM -- 16 TCHAIKOVSKY'S TATIANA -- 17 LITTLE OPERAS TO PUSHKIN'S LITTLE TRAGEDIES -- 18 PLAYBILL TO PROKOFIEV'S "WAR AND PEACE" AT THE MET -- 19 SHOSTAKOVICH'S "LADY MACBETH OF MTSENSK" -- 20 PRINCETON UNIVERSITY'S BORIS GODUNOV -- 21 "EUGENE ONEGIN" ON THE STALINIST STAGE -- IN CONCLUSION -- INDEX.
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| 650 |
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0 |
|a Russian literature
|x History and criticism.
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| 650 |
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0 |
|a Russian literature
|x Adaptations
|x History and criticism.
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| 650 |
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7 |
|a Literary Criticism
|x Russian & Former Soviet Union.
|2 bisacsh
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| 650 |
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7 |
|a Russian literature
|2 fast
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| 655 |
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0 |
|a Electronic books.
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|z 9781306152853
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=3110427
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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