Table of Contents:
  • Introduction: Progressivism, modernity, and transitional cinema
  • From crowds to communities: Progressive Era spectatorship theories
  • Progressivism and early feature films: textuality, oversight, uplift
  • Celebrity, self-awareness, and the consciousness of self
  • Private pleasures and public space: community culture and the dominance of neighborhood theaters
  • Oversight and regulation: film censorship, local government, and social reform
  • Citizenship and black cinema
  • Patriotism and patronage: regional and national identity in Chicago's theaters during World War I
  • Conclusion.