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|a 587784
|b MIL
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|a e------
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|a N8253.T5 C64 2014
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|a ART
|x 000000
|2 bisacsh
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|a HCDD
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| 100 |
1 |
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|a Cohen, Simona,
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJkhGBPTPVQdj4tPfXqfbd
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| 245 |
1 |
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|a Transformations of Time and Temporality in Medieval and Renaissance Art /
|c by Simona Cohen.
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| 264 |
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|a Leiden :
|b BRILL,
|c 2014.
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|c ©2014
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| 300 |
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|a 1 online resource (392 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Brill's Studies in Intellectual History ;
|v Volume 228
|a Brill's Studies on Art, Art History, and Intellectual History ;
|v Volume 6
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|a Print version record.
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|a List of Illustrations; Acknowledgments; Color Plates; Introduction; Part One Sources and Prototypes of the Renaissance Iconography of Time; Chapter One Concepts of Time in Classical Philosophy; Chapter Two Classical Personifications of Time; Chronos; Aion/Aeternitas; Phanes and the Leontocephaline; Time and Solar Symbolism; Mithraic Time Imagery; Saturn; Janus; Chapter Three Early Christian and Medieval Concepts of Time; The Negation of Time in Early Christian Art; Nox intempesta-The Problem of Defining Time; The Medieval Concretization of Time; Technology, Society and the Clock.
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|a Chapter Four Time and Temporality in Medieval ArtThe Cosmic Diagram; Annus and the tempora; Macrocosm and Microcosm; Fortuna and the Ages of Man; Time and Death; Chapter Five The Romanesque Zodiac: Its Symbolic Function on the Church Facade; The Earliest Monumental Zodiacs; The Symbolic Context of the Portal Zodiac; Omnia Tempus Habent; The Medieval Zodiac; The Architectural Context of the Zodiac; Part Two Changing Concepts of Time in the Renaissance; Introduction Changing Concepts of Time in the Renaissance.
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|a Chapter Six The Renaissance Personification of Time in Illustrations to Petrarch's Trionfo del TempoQuestioning Assumptions: The Problem of "Father Time"; Petrarch's Description of Time; Illustrations of the Trionfo del Tempo-the initial stage; Time and Temporality: Stage II, 1450-60; Eclecticism and Experimentation: 1460-80; Antique Revival and Renaissance Innovations: 1480-1500; Transformations of Time in the Sixteenth Century; Chapter Seven Time, Virtuousness and Wisdom in Giorgione'sCastelfranco Fresco; Fantasia per mostrare l'arte; Objects and Maxims-the Visual Evidence.
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| 505 |
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|a Defining the Frame of ReferenceLiberal and Mechanical Arts; Arms and Armor; The Function of the Maxims; Images of Virtue; Images of Time; Contrasts of Virtues and Vices; Virtutis laus omnis in actione consistit; Chapter Eight Kairos/Occasio-Vicissitudes of Propitious Time from Antiquity to the Renaissance; Lysippos and the Classical Literary Tradition; The Fate of Kairos/Occasio in Medieval Art; Pigliar il Tempo: Kairos/Occasio and Fortuna in the Early Renaissance; Occasio & Fortuna-the Literary Tradition of the Early Cinquecento; Occasio and the Fata Morgana.
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|a Modifications of Kairos/Occasio in Painting and EmblemsChapter Nine Veritas filia temporis:Time in Cinquecento Propaganda; Early Renaissance Precedents; Cinquecento Innovations: Michelangelo and Pontormo; Veritas filia temporis in the mid Cinquecento; The Emblem of Time as a Printers Device; Personifications of Time: North Italian Monumental Art of the Mid Century; Time in the Artistic Propaganda of Cosimo I-Francesco Salviati: Time in Political Strategy; Angelo Bronzino: Time and Moralization; Giorgio Vasari: Time Recruited; Epilogue.
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| 500 |
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|a Appendix I Catalogue of Illuminated Manuscripts of Petrarch's Trionfi Located in European and American Collections.
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|a A multifaceted picture of the dynamic concepts of time and temporality is demonstrated in medieval and Renaissance art, as adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. Questions regarding perception of time are investigated through innovative aspects of Renaissance iconography.
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|a Includes bibliographical references and index.
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|a English.
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|a Time in art.
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|a Time
|x Social aspects
|z Europe
|x History.
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|a Time perception
|z Europe
|x History.
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| 650 |
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|a Art, Medieval
|x Themes, motives.
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| 650 |
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|a Art, Renaissance
|x Themes, motives.
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|a ART
|x General.
|2 bisacsh
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|a Art, Medieval
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|2 fast
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|a Art, Renaissance
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|a Time in art
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|a Time perception
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|a Time
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|a Europe
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|1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq
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|a History
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| 776 |
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|i Print version:
|a Cohen, Simona.
|t Transformations of Time and Temporality in Medieval and Renaissance Art.
|d Leiden : BRILL, ©2014
|z 9789004267855
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| 830 |
|
0 |
|a Brill's studies in intellectual history ;
|v v. 228.
|
| 830 |
|
0 |
|a Brill's studies in intellectual history.
|p Brill's studies on art, art history, and intellectual history ;
|v v. 6.
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1655257
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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