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00000cgm a2200000Ma 4500 |
| 001 |
ocn877880369 |
| 003 |
OCoLC |
| 005 |
20240623213015.0 |
| 006 |
m o c |
| 007 |
vz |zazu| |
| 008 |
140206s1977 enk054 g o vupor d |
| 040 |
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|a ALSTP
|b eng
|e pn
|c ALSTP
|d OCLCO
|d OCLCQ
|d OCLCF
|d U3G
|d COO
|d OCL
|d OCLCO
|d OCLCQ
|d CUS
|d OCLCQ
|d OCLCO
|d NRC
|d EZ9
|d STF
|d SNN
|d INT
|d AU@
|d OCLCQ
|d YOU
|d MTU
|d OCLCQ
|d UHL
|d VLB
|d WYU
|d MERUC
|d NJT
|d SRU
|d EYM
|d OCLCO
|d EBC
|d SGP
|d OCLCO
|d GPRCL
|d DXU
|d OCLCQ
|d OCLCL
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| 066 |
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|c (Q
|c (3
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| 019 |
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|a 908387539
|a 1065561493
|a 1085201927
|
| 028 |
5 |
3 |
|a 2196451
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| 035 |
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|a (OCoLC)877880369
|z (OCoLC)908387539
|z (OCoLC)1065561493
|z (OCoLC)1085201927
|
| 050 |
1 |
4 |
|a BL2592.U5
|b U43 1977
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| 050 |
|
4 |
|a GN303
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Umbanda /
|c directed and produced by Stephen Cross.
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| 257 |
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|a Great Britain
|2 naf
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| 260 |
|
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|a London :
|b Royal Anthropological Institute,
|c 1977.
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| 300 |
|
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|a 1 online resource (54 min.).
|
| 306 |
|
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|a 005405
|
| 336 |
|
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|a two-dimensional moving image
|b tdi
|2 rdacontent
|
| 337 |
|
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|a computer
|b c
|2 rdamedia
|
| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
|
| 344 |
|
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|a digital
|b optical
|2 rda
|
| 347 |
|
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|a video file
|2 rda
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| 380 |
|
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|a Videorecording
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| 490 |
0 |
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|a Disappearing world
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| 500 |
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|a Title from resource description page (viewed Feb. 6, 2014).
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| 518 |
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|a Recorded in Sao Paulo, Brazil and Belem, Brazil.
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| 520 |
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|a Umbanda is a syncretic religious movement, combining elements from orthodox Catholicism with submerged African and indigenous Indian spiritual beliefs. In spite of past attempts to suppress it, Umbanda flourishes in the heterogeneous culture of contemporary urban Brazil. The film somewhat ambitiously seeks to give an exposition of the eclectic repertoire of the Umbanda movement. There is lengthy coverage of ritual performances, including interviews with mediums and their clients, which emphasise the role the movement plays in the management of personal malaise and affliction experienced as a by-product of change and urbanisation. The concluding sequences of the Sea Goddess, Yemenya - identified with the Virgin Mary - show the annual Umbanda festival where half a million participants from all over the country assemble on the beaches of Säo Paulo. The film's strength lies in its graphic footage of spiritual possession and healing but it has been criticised for not providing a fuller account of the functioning of Umbanda groups, and the movement's articulation with the political authorities in Brazil.
|
| 546 |
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|a This edition in Portuguese and English with English subtitles.
|
| 506 |
|
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|a Access restricted to authorised ANU staff and students.
|5 ANU
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| 650 |
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0 |
|a Umbanda (Cult)
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| 650 |
|
0 |
|a Spirit possession
|v Case studies.
|
| 650 |
|
7 |
|a Spirit possession.
|2 fast
|0 (OCoLC)fst01130054
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| 650 |
|
7 |
|a Umbanda (Cult)
|2 fast
|0 (OCoLC)fst01160777
|
| 655 |
|
7 |
|a Case studies.
|2 fast
|0 (OCoLC)fst01423765
|
| 655 |
|
7 |
|a Documentary films.
|2 fast
|0 (OCoLC)fst01710390
|
| 655 |
|
7 |
|a Nonfiction films.
|2 fast
|0 (OCoLC)fst01710269
|
| 655 |
|
7 |
|a Documentary films.
|2 lcgft
|
| 655 |
|
7 |
|a Nonfiction films.
|2 lcgft
|
| 655 |
|
7 |
|a Documentaires.
|2 rvmgf
|
| 655 |
|
7 |
|a Films autres que de fiction.
|2 rvmgf
|
| 700 |
1 |
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|a Fry, Peter,
|d 1941-
|e narrator.
|4 nrt
|1 https://id.oclc.org/worldcat/entity/E39PBJkTd3FTtgrXgPtW4vyyBP
|
| 700 |
1 |
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|a Cross, Stephen,
|e film director,
|e film producer.
|4 drt
|4 pro
|
| 710 |
2 |
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|a Royal Anthropological Institute of Great Britain and Ireland,
|e production company.
|
| 758 |
|
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|i has work:
|a Umbanda (MovingImage)
|1 https://id.oclc.org/worldcat/entity/E39PCFWXWy9vQcqw3cMcPTrxym
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Original version:
|t Umbanda.
|d London : Royal Anthropological Institute, 1977
|w (OCoLC)847459502
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://www.aspresolver.com/aspresolver.asp?AVN2;2196451
|y Click for online access
|
| 880 |
|
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|6 520-00/(Q
|a Umbanda is a syncretic religious movement, combining elements from orthodox Catholicism with submerged African and indigenous Indian spiritual beliefs. In spite of past attempts to suppress it, Umbanda flourishes in the heterogeneous culture of contemporary urban Brazil. The film somewhat ambitiously seeks to give an exposition of the eclectic repertoire of the Umbanda movement. There is lengthy coverage of ritual performances, including interviews with mediums and their clients, which emphasise the role the movement plays in the management of personal malaise and affliction experienced as a by-product of change and urbanisation. The concluding sequences of the Sea Goddess, Yemenya ђ́أ identified with the Virgin Mary ђ́أ show the annual Umbanda festival where half a million participants from all over the country assemble on the beaches of S©Þo Paulo. The film's strength lies in its graphic footage of spiritual possession and healing but it has been criticised for not providing a fuller account of the functioning of Umbanda groups, and the movement's articulation with the political authorities in Brazil.
|
| 903 |
|
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|a ASP-AV
|
| 994 |
|
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|a 92
|b HCD
|