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|a HCDD
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|a Miller, F. Bart.
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|a Rethinking Négritude through Léon-Gontran Damas.
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| 260 |
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|a Amsterdam :
|b Editions Rodopi,
|c 2014.
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| 300 |
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|a 1 online resource (259 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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1 |
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|a Francopolyphonies ;
|v 16
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|a Print version record.
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|a Cover; Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Background to Research on Léon-Gontran Damas; Postcolonial Studies and Négritude; Postcolonial Studies and Genre Theory:A New Approach to Négritude Literature; Corpus and Chapter Structure; Prefatory Note; Chapter 1; Awakening to an Anti-Colonial Poetics:The Case of Pigments; Postcolonial Poetics and the Context of Pigments; Voicing Resistance in Damas's Poetry; Recalling Adoption and Adaptationthrough Slavery and Exploitation Narratives; Continued Adaptation and Emerging Adeptnessthrough Rejections of Authority.
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|a Becoming Adept through WarConclusion; Chapter 2; Damas's Confrontation with Colonialism: EthnographicEssayism and Anti-Colonial Critique in Retour de Guyane; Ethnography, Colonialism and Retour de Guyane; The Anti-Colonial Essay and Négritude; In Pursuit of Gold; Prison as a Literal and Metaphorical Framework; Social Division and Cultural Lacunae; Education and Servility; Assimilation; Conclusion; Chapter 3; A Return to Guyane:The Use of the Folk Tale in Veillées noires; Damas and Tètèche; Oral Tradition and the Creation of Cultural Memory; The Folk Tale as Resistance.
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|a Tricksters and GourmandsHuman Relations, the Supernatural and Spirituality; Conclusion; Chapter 4; Drinking to Remember:Pre-histories and Afterlives of Assimilation in Black-Label; Memory and Exile; Framing and Forming Black-Label through Memory; Damas's Alcoholic Narrator in Black-Label; Canto I -- Memories of Contact; Canto II -- Magnification of a Personal History; Canto III -- Revisiting the Assimilation of Sicy-Chabine; Canto IV -- Escape as Imagination and Suicide; Conclusion; Conclusion; Bibliography; Index.
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|a Rethinking Négritude through Léon-Gontran Damas analyses four cases in which Damasian Négritude shifted through generic experimentation: Pigments (1937), Retour de Guyane (1938), Veillées noires (1943) and Black-Label (1956). In doing so, it also advances scholarship on Damas (1912-1978) in two ways. On the one hand, it undertakes the crucial and in-depth research needed to challenge the understanding of Négritude as a bipartite (Césaire and Senghor) phenomenon. On the other hand, it offers an innovative reading of Damas whose work deserves more complete consideration than it has received thus.
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|a Includes bibliographical references and index.
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| 546 |
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|a English.
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|a Damas, Léon-Gontran,
|d 1912-1978
|x Criticism and interpretation.
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|a Damas, Léon-Gontran,
|d 1912-1978
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJv8BMX39jkjVxm9gktkDq
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|a Negritude (Literary movement)
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| 650 |
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|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
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| 650 |
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|a LANGUAGE ARTS & DISCIPLINES
|x Rhetoric.
|2 bisacsh
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| 650 |
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|a REFERENCE
|x Writing Skills.
|2 bisacsh
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| 650 |
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|a Negritude (Literary movement)
|2 fast
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 776 |
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|i Print version:
|a Miller, F. Bart.
|t Rethinking Négritude through Léon-Gontran Damas.
|d Amsterdam : Editions Rodopi, ©2014
|z 9789042038264
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| 830 |
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|a Francopolyphonies ;
|v 16.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1686946
|y Click for online access
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|a EBC-AC
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|b HCD
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