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ocn880676609 |
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20240809213013.0 |
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140110s2014 mdu ob 001 0 eng |
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|a 2021676874
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|a DLC
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019 |
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|a 880409506
|a 1290117709
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|a 9781442233133
|q ebook
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|a 1442233133
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|z 9781442233126
|q cloth : alk. paper
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|a PN1992.77.D6277
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|x 009000
|2 bisacsh
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|a HCDD
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|a Joss Whedon's Dollhouse :
|b confounding purpose, confusing identity /
|c edited by Sherry Ginn, Alyson R. Buckman, Heather M. Porter.
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|a Lanham :
|b Rowman and Littlefield,
|c [2014]
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|a 1 online resource (xxvii, 225 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Science fiction television
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|a Includes bibliographical references and index.
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|a Introduction: fantasy is his business, but it is not his purpose: an introduction to Joss Whedon and his storytelling / Alyson R. Buckman -- Self and Identity. "'I've watched you build yourself from scratch": the assemblage of Echo / Michael Starr -- "We are not just human anymore": accepting the posthuman future / Meg Saint Clair Pearson -- Anamnesis, hypomnesis, and the failure of the posthuman in Whedon's Dollhouse / Margo Collins -- Ethics. "What about the laws?" regulation and the celebration of resistance / Tom Garbett -- Somebody's Asian on tv: Sierra/Priya and the politics of representation / Ananya Mukherjea -- "In my house and therefore in my care": transgressive mothering, abuse, and embodiment / Samira Nadkarni -- "I possess the means to satisfy my vagaries": what motivates the Dollhouse clients? / Heather M. Porter and Sherry Ginn -- Structure and form. "Who did they make me this time?": viewing pleasure and horror / Bronwen Calvert -- "I love him, is that real?" interrogating romance through Victor and Sierra / Lorna Jowett -- The theatre of the self: repetitious and reflective practices of person and place / Joel Hawkes -- "We're lost. we are not gone": critical dystopia and the politics of radical hope / Derrick King -- Welcome to the Dollhouse: reading its opening title sequences / David Kociemba -- Ritual, rebirth, and the rising tide: water and the transcendent self / Ian G. Klein.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|a This collection of essays contextualizes Joss Whedon's Dollhouse as a postmodern investigation into what makes us human and as an examination of how technology invariably transforms our identity and perhaps even our humanity. Together, these essays provide a provocative meditation on how one example of science fiction comments on the state of personal identity in a 21st-century society dependent on forms of technology that threaten the individual. This collection of essays examines the various characters and themes presented in the series throughout its two-year run on television. In addition,
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|a English.
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630 |
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|a Dollhouse (Television program)
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|a Whedon, Joss,
|d 1964-
|x Criticism and interpretation.
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1 |
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|a Whedon, Joss,
|d 1964-
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJhxqwXm7xdhx8KmTwXTpP
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630 |
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|a Dollhouse (Television program)
|2 fast
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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1 |
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|a Ginn, Sherry,
|e editor.
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|a Buckman, Alyson R.,
|e editor.
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700 |
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|a Porter, Heather M.,
|e editor.
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776 |
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8 |
|i Print version:
|t Joss Whedon's Dollhouse
|d Lanham : Rowman & Littlefield, [2014]
|z 9781442233126 (cloth : alk. paper)
|w (DLC) 2013044999
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830 |
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|a Science fiction television.
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856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1691116
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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