The Oxford handbook of music revival

The Oxford handbook of music revival / edited by Caroline Bithell and Juniper Hill.

Revival movements aim to revitalize traditions perceived as threatened or moribund by adapting them to new temporal, spatial, and social contexts. While many of these movements have been well-documented in Western Europe and North America, those occurring and recurring elsewhere in the world have re...

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Bibliographic Details
Other Authors: Bithell, Caroline, 1957- (Editor), Hill, Juniper (Editor)
Format: eBook
Language:English
Published: New York, NY : Oxford University Press, [2014]
Series:Oxford Handbooks in Music.
Subjects:
Music > History and criticism.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
Music
Musik > historia.
Musiketnologi.
Criticism, interpretation, etc.
Online Access:Click for online access
Table of Contents:
  • Cover; The Oxford Handbook of Music Revival; Copyright; Contents; List of Contributors; About the Companion Website; part I Towards Multiple Theories of Music Revival; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change; 2. Traditional Music, Heritage Music; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Music Making; part II Scholars and Collectors as Revival Agents; 4. Antiquarian Nostalgia and the Institutionalization of Early Music; 5. A Folklorist's Exploration of the Revival Metaphor.
  • 6. A Participant-Documentarian in the American Instrumental Folk Music Revivalpart III Intangible Cultural Heritage, Preservation, and Policy; 7. Reviving Korean Identity through Intangible Cultural Heritage; 8. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music; part IV National Renaissance and Postcolonial Futures; 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival; 11. Choreographic Revival, Elite Nationalism, and Postcolonial Appropriation in Senegal.
  • 12. Revived Musical Practices within Uzbekistan's Evolving National Project13. Two Revivalist Moments in Iranian Classical Music; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival; part V Recovery from War, Disaster, and Cultural Devastation; 15. Revivalist Articulations of Traditional Music in War and Postwar Croatia; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Negle; part VI Innovations and Transformations.
  • 18. Innovation and Cultural Activism through the Reimagined Pasts of Finnish Music Revivals19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicália; 20. Bending or Breaking the Native American Flute Tradition?; 21. Toward an Application of Globalization Paradigms to Modern Folk Music Revivals; part VII Festivals, Marketing, and Media; 22. Contemporary English Folk Music and the Folk Industry; 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity.
  • 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations t; part VIII Diaspora and the Global Village; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage; 27. Irish Music Revivals Through Generations of Diaspora; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979); 30. Re-flections; Index.

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