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ocn895704618 |
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OCoLC |
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20241006213017.0 |
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m o d |
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140525s2014 enk obkq 001 0 eng d |
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|a 880531361
|a 880565002
|a 961662484
|a 962722330
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|a 1780232101
|q (electronic bk.)
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| 020 |
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|a 9781780232102
|q (electronic bk.)
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| 020 |
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|a 1780231997
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|a 9781780231990
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| 020 |
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|z 9781780231990
|q (pbk.)
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|z 1780231997
|q (pbk.)
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3 |
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|a 9781780231990
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| 035 |
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|a (OCoLC)895704618
|z (OCoLC)880531361
|z (OCoLC)880565002
|z (OCoLC)961662484
|z (OCoLC)962722330
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| 037 |
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|a 89C13F66-C96E-4748-BE8A-82F0E8C454FB
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a nwjm---
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4 |
|a ML3532
|b .S85 2014
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| 072 |
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7 |
|a MUS
|x 041000
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Sullivan, Paul,
|d 1939-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJppyw8xKWFKFGWT4TkkXd
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| 245 |
1 |
0 |
|a Remixology :
|b tracing the dub diaspora /
|c Paul Sullivan.
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| 264 |
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1 |
|a London :
|b Reaktion Books,
|c 2014.
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| 264 |
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4 |
|c ©2014
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Reverb series
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| 504 |
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|a Includes bibliography, filmography, discography and index.
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|a Print version record.
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|a Cover; Remixology: Tracing the Dub Diaspora; Imprint Page; Contents; Introduction; 1. The Kingston Context; 2. Kingston's Dub Pioneers; 3. London: Sound System Culture, Digidub and Post-Punk; 4. Nyc: Dub, Rap, Disco and Illbient; 5. London II: UK Rap and The Dubcore Continuum; 6. The Bristol Sound; 7. Berlin: Glitch and Techno; 8. Canada's Dub Poetry and Dancehall; Conclusion; References; Bibliography and Filmography; Select Discography; List of Interviews; Acknowledgements; Photo Acknowledgements; Index.
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| 520 |
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|a Dub is the avant-garde verso of reggae, created by manipulating and reshaping recordings using studio strategies and techniques. While dub was one of the first forms of popular music to turn the idea of song inside out, it is far from being fully explored. Tracing the evolution of dub, Remixology travels from Kingston, Jamaica, across the globe, following dub's influence on the development of the MC, the birth of sound system culture, and the postwar Jamaican diaspora. Starting in 1970s Kingston, Paul Sullivan examines the origins of dub as a genre, approach, and attitud.
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| 650 |
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|a Dub (Music)
|x History and criticism.
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| 650 |
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|a Dub (Music)
|z Jamaica
|x History and criticism.
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| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
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|a Dub (Music)
|2 fast
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| 651 |
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7 |
|a Jamaica
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 758 |
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|i has work:
|a Remixology (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGPQ4bF4PC8x4FWgXFHKVC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Sullivan, Paul, 1939-
|t Remixology.
|z 9781780231990
|z 1780231997
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| 830 |
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0 |
|a Reverb series.
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1693152
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
|