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141206s2013 enk ob 001 0 eng d |
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|a PA3022.E6 .E755 2013
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|a LIT
|x 014000
|2 bisacsh
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|a HCDD
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100 |
1 |
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|a Lovatt, Helen.
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245 |
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|a Epic Visions :
|b Visuality in Greek and Latin Epic and its Reception.
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|a Cambridge :
|b Cambridge University Press,
|c 2013.
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|a 1 online resource (348 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Print version record.
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|a Figures; Tables; Contributors; Preface; Abbreviations; Introduction; Defining epic; Visualising epic; 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101; Introduction; Why the Doloneia?; Agamemnon's gaze; Difficulties of vision and interpretation; Dolon's trick?; Losing (sight of) Rhesus; 2 Operatic visions: Berlioz stages Virgil; Opera and epic*; Trojan visions; How epic is Les Troyens?; The Trojan horse; The death of Dido; 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus' Argonautica; Introduction; Epiphany and recognition at Lemnos.
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|a Venus' Bacchae at LemnosSeeing Medea; Conclusion; 4 The look of the Late Antique Emperor and the art of praise; I have seen the emperor; Epic and viewing the emperor; The emperor on the battlefield; The emperor in the city; The emperor as work of art; 5 Intermediality in Latin epic -- en video quaecumque audita; Ekphrasis; Intermediality; Ovid; Lucan; Conclusions; 6 Viewing violence in Statius' Thebaid and the films of Quentin Tarantino; Tydeus and the fifty Thebans; Kiddo and the Crazy 88; Hypsipyle and the Lemnians; Marvin and Mr Blonde; Polynices and Eteocles; Hitler and the Bear Jew.
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|a Conclusion7 Storyboarding and epic; Introduction; Dido in Aeneid 4.68-75; Stag and hounds in Aeneid 7.475-95; Conclusion; 8 Epic in the round; Epic and sculpture; The pictorial qualities of Homer; Sculpture and epic distance; Epic in three dimensions; a. Thornycroft's Teucer; b. Carpeaux's Hector; Beyond the Iliad; 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii; The Casa di Octavius Quartio (Regio II 2.2); Room (h); The Heracles frieze; The Iliad frieze; Heracles on top of Troy; 'Split screen' epic and epic visions.
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|a 10 Epic visions on the Tabulae IliacaeTabulating Homer; Entering the pictures; Sliding as you will; Epic visions of epic visions; Bibliography; Index locorum; General index.
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|a A wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture.
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|a Includes bibliographical references (pages 283-320) and indexes.
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546 |
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|a English.
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650 |
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|a Epic poetry, Greek
|x History and criticism.
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650 |
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|a Epic poetry, Latin
|x History and criticism.
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650 |
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|a Art and literature.
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650 |
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|a Civilization, Ancient, in art.
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650 |
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|a Visual perception in literature.
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|a Imagery (Psychology) in literature.
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650 |
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|a Object (Aesthetics) in literature.
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650 |
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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650 |
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|a Art and literature
|2 fast
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|a Civilization, Ancient, in art
|2 fast
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|a Epic poetry, Greek
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|a Epic poetry, Latin
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|a Imagery (Psychology) in literature
|2 fast
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|a Object (Aesthetics) in literature
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|a Visual perception in literature
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|a Epos
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|a Griechisch
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|a Latein
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|a Visualisierung
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|a Rezeption
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|a Criticism, interpretation, etc.
|2 fast
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|a Vout, Caroline.
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|i has work:
|a Epic visions (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGQQPVQDpRbJV43ffKy4xC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Lovatt, Helen.
|t Epic Visions : Visuality in Greek and Latin Epic and its Reception.
|d Cambridge : Cambridge University Press, ©2013
|z 9781107039384
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856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1864729
|y Click for online access
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|b HCD
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