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00000cgm a2200000Ma 4500 |
| 001 |
ocn898206047 |
| 003 |
OCoLC |
| 005 |
20240504213016.0 |
| 006 |
m o c |
| 007 |
cr |n||||||||a |
| 007 |
vz |za|z| |
| 008 |
141028s1974 enk055 e o vueng d |
| 040 |
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|a ALSTP
|b eng
|e pn
|c ALSTP
|d OCLCO
|d OCLCF
|d U3G
|d COO
|d OCLCO
|d OCLCQ
|d CUS
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCA
|d VLB
|d OCLCO
|d OCLCQ
|d OCLCL
|d OCLCQ
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| 019 |
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|a 1259135240
|a 1373481270
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| 035 |
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|a (OCoLC)898206047
|z (OCoLC)1259135240
|z (OCoLC)1373481270
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| 043 |
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|a f-ke---
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| 050 |
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4 |
|a GN303
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| 050 |
1 |
4 |
|a DT433.545.M33
|b M37 1974ev
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a Masai women /
|c produced and directed by Chris Curling ; researcher/anthropologist, Melissa Llewelyn-Davies.
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| 257 |
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|a Great Britain
|2 naf
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| 260 |
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|a London, England :
|b Royal Anthropological Institute,
|c 1974.
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| 300 |
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|a 1 online resource (55 min.).
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| 306 |
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|a 005401
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| 336 |
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|a two-dimensional moving image
|b tdi
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 344 |
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|a digital
|b optical
|2 rda
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| 347 |
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|a video file
|2 rda
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| 490 |
0 |
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|a Disappearing world
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| 500 |
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|a Title from resource description page (viewed October 28, 2014).
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| 520 |
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|a The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social status, and Masai love their cattle, composing poems to them. However, it is the men who have exclusive control over rights to cattle, and women are dependent, throughout their lives, on a man - father, husband or son - for rights of access to property. A woman's status as 'daughter', 'wife' or 'mother' is therefore crucial and this film examines with depth and sensitivity the social construction of womanhood in Masai society, concentrating upon women's attitudes to their own lives. The film details a series of events in women's lives, from their circumcision ceremonies which mark their transition from girlhood to womanhood, to the moment when they proudly watch their sons make the transition to elderhood in the eunoto ceremony.
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| 546 |
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|a In English.
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| 650 |
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0 |
|a Women, Maasai
|z Kenya.
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| 650 |
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0 |
|a Maasai (African people)
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| 650 |
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0 |
|a Women, Maasai.
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| 651 |
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0 |
|a Kenya.
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| 650 |
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7 |
|a Maasai (African people)
|2 fast
|0 (OCoLC)fst01731207
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| 650 |
|
7 |
|a Women, Maasai.
|2 fast
|0 (OCoLC)fst01734132
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| 651 |
|
7 |
|a Kenya.
|2 fast
|0 (OCoLC)fst01208718
|1 https://id.oclc.org/worldcat/entity/E39PBJrgMQKpcY3M4dvk48PJDq
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| 655 |
|
7 |
|a Documentary films.
|2 fast
|0 (OCoLC)fst01710390
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| 655 |
|
7 |
|a Nonfiction films.
|2 fast
|0 (OCoLC)fst01710269
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| 655 |
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7 |
|a Documentary films.
|2 lcgft
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| 655 |
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7 |
|a Nonfiction films.
|2 lcgft
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| 655 |
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7 |
|a Documentaires.
|2 rvmgf
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| 655 |
|
7 |
|a Films autres que de fiction.
|2 rvmgf
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| 700 |
1 |
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|a Curling, Chris,
|e film director.
|4 drt
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| 700 |
1 |
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|a Llewelyn-Davies, Melissa,
|e contributor.
|4 res
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| 710 |
2 |
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|a Royal Anthropological Institute of Great Britain and Ireland,
|e production company.
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| 710 |
2 |
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|a Granada Television International,
|e publisher.
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| 758 |
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|i has work:
|a Masai women (MovingImage)
|1 https://id.oclc.org/worldcat/entity/E39PCH7twchf8qTBHYWGdbkPpK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=https://www.aspresolver.com/aspresolver.asp?AVN2;2083074
|y Click for online access
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| 903 |
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|a ASP-AV
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| 994 |
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|a 92
|b HCD
|