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ocn902702177 |
| 003 |
OCoLC |
| 005 |
20241006213017.0 |
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m o d |
| 007 |
cr |||||||nn|n |
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141014s2014 nyu ob 001 0 eng d |
| 040 |
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|a P@U
|b eng
|e pn
|c P@U
|d OCLCO
|d OCLCQ
|d EBLCP
|d MERUC
|d SFB
|d OCLCO
|d OCLCF
|d ZCU
|d ICG
|d OCLCQ
|d DKC
|d AU@
|d OCLCQ
|d OCL
|d OCLCQ
|d VLY
|d DST
|d OCLCO
|d OCLCQ
|d HUL
|d OCLCO
|d OCLCL
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| 019 |
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|a 1162232674
|a 1290089301
|a 1300608815
|a 1303347939
|a 1303471887
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| 020 |
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|a 9780815652878
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| 020 |
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|a 0815652879
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| 020 |
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|z 9780815633822
|q (cloth ;
|q alk. paper)
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| 020 |
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|z 0815633823
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| 035 |
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|a (OCoLC)902702177
|z (OCoLC)1162232674
|z (OCoLC)1290089301
|z (OCoLC)1300608815
|z (OCoLC)1303347939
|z (OCoLC)1303471887
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| 043 |
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|a n-us---
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| 050 |
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4 |
|a PN1995.9.N4
|b W55 2015
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Williams, Roland Leander,
|d 1953-
|1 https://id.oclc.org/worldcat/entity/E39PCjMyVBF8FCPBDmD6DF3pmq
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| 245 |
1 |
0 |
|a Black male frames :
|b African Americans in a century of Hollywood Cinema, 1903-2003 /
|c Roland Leander Williams Jr.
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| 250 |
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|a 1st edition.
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| 260 |
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|a New York :
|b Syracuse University Press,
|c 2014.
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Television and popular culture series
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Pages:1 to 25; Pages:26 to 50; Pages:51 to 75; Pages:76 to 100; Pages:101 to 125; Pages:126 to 150; Pages:151 to 175; Pages:176 to 200; Pages:201 to 222.
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| 504 |
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|a Includes bibliographical references (pages 177-186) and index.
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| 520 |
1 |
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|a "Charts the development and shifting popularity of two stereotypes of black masculinity in popular American film? "the shaman" and "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W.E.B. Du Bois."
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| 546 |
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|a English.
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| 650 |
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0 |
|a Motion pictures
|z United States
|x History.
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| 650 |
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0 |
|a Motion pictures
|x Social aspects
|z United States.
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| 650 |
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0 |
|a Stereotypes (Social psychology) in motion pictures.
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| 650 |
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0 |
|a African Americans in motion pictures.
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| 650 |
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7 |
|a African Americans in motion pictures
|2 fast
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| 650 |
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7 |
|a Motion pictures
|2 fast
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| 650 |
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7 |
|a Motion pictures
|x Social aspects
|2 fast
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| 650 |
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7 |
|a Stereotypes (Social psychology) in motion pictures
|2 fast
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| 651 |
|
7 |
|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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| 655 |
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7 |
|a History
|2 fast
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| 758 |
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|i has work:
|a Black male frames (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFqW4HyDQC3gWJcX8TrXh3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Williams, Roland Leander.
|t Black male frames.
|b 1st edition.
|d New York : Syracuse University Press, 2014
|w (DLC) 2014953951
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| 830 |
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0 |
|a Television and popular culture.
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=4649095
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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