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|a PN56.W66
|b G74 2014
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|a PN
|2 lcco
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| 072 |
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|a BIO
|x 007000
|2 bisacsh
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| 049 |
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|a HCDD
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| 245 |
0 |
4 |
|a The Great War in post-memory literature and film /
|c edited by Martin Löschnigg and Marzena Sokołowska-Paryż.
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| 264 |
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1 |
|a Berlin ;
|a Boston :
|b De Gruyter,
|c [2014]
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| 300 |
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|a 1 online resource (vii, 459 pages .)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a text file
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| 347 |
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|b PDF
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| 490 |
1 |
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|a Media and cultural memory/medien und kulturelle erinnerung ;
|v volume 18
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?" -- "Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm:The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars -- Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post- )Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory -- Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser : Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War.
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| 588 |
0 |
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|a Print version record.
|
| 520 |
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|a The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations.
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| 546 |
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|a In English.
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| 630 |
0 |
7 |
|a Bibel
|p Philemonbrief
|2 gnd
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| 650 |
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0 |
|a World War, 1914-1918
|x Literature and the war.
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| 650 |
|
0 |
|a Literature, Modern
|y 20th century
|x History and criticism.
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| 650 |
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0 |
|a Collective memory and literature.
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| 650 |
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0 |
|a World War, 1914-1918
|x Motion pictures and the war.
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| 650 |
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0 |
|a War films
|x History and criticism.
|
| 650 |
|
0 |
|a Collective memory and motion pictures.
|
| 650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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| 650 |
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7 |
|a Collective memory and literature
|2 fast
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| 650 |
|
7 |
|a Collective memory and motion pictures
|2 fast
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| 650 |
|
7 |
|a Literature, Modern
|2 fast
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| 650 |
|
7 |
|a War and literature
|2 fast
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| 650 |
|
7 |
|a War and motion pictures
|2 fast
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| 650 |
|
7 |
|a War films
|2 fast
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| 650 |
|
7 |
|a Erster Weltkrieg
|g Motiv
|2 gnd
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| 650 |
|
7 |
|a Literatur
|2 gnd
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| 647 |
|
7 |
|a World War
|d (1914-1918)
|2 fast
|0 (OCoLC)fst01180746
|1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdKydGHm4yKx7Gb
|
| 648 |
|
7 |
|a 1900-1999
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 700 |
1 |
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|a Löschnigg, Martin,
|e editor.
|
| 700 |
1 |
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|a Sokołowska-Paryż, Marzena,
|e editor.
|
| 758 |
|
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|i has work:
|a The Great War in post-memory literature and film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH8CyQRHmXK7tghtDDqVcq
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|z 9783110362909
|z 3110362902
|w (DLC) 2014028692
|
| 830 |
|
0 |
|a Media and cultural memory ;
|v 18.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1652504
|y Click for online access
|
| 903 |
|
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|a EBC-AC
|
| 994 |
|
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|a 92
|b HCD
|