Making Asian American film and video : histories, institutions, movements / Jun Okada.

The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada...

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Bibliographic Details
Main Author: Okada, Jun, 1973-
Format: eBook
Language:English
Published: New Brunswick, N.J. : Rutgers University Press, 2015.
Series:Asian American studies today.
Subjects:
Online Access:Click for online access

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100 1 |a Okada, Jun,  |d 1973-  |1 https://id.oclc.org/worldcat/entity/E39PCjxMyhYWkQY8kM6GRXDJ8P 
245 1 0 |a Making Asian American film and video :  |b histories, institutions, movements /  |c Jun Okada. 
264 1 |a New Brunswick, N.J. :  |b Rutgers University Press,  |c 2015. 
300 |a 1 online resource 
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490 1 |a Asian American Studies Today 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: the shared history of Asian American film and video and public interest media -- Noble and uplifting and boring as hell: Asian American film and video, 1971-1982 -- The Center for Asian American Media and the televisual public sphere -- Pathology as authenticity: ITVs, Terminal USA, and the televisual struggle over positive/negative images -- Dismembered from history: the counternostalgia of Gregg Araki -- Better luck tomorrow and the transnational reframing of Asian American film and video -- Post Asian American feature film: the persistence of institutionality in finishing the game: the search for a new Bruce Lee and American zombie -- Afterword. 
588 0 |a Print version record. 
520 |a The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themsel 
650 0 |a Asian Americans in motion pictures. 
650 0 |a Asian Americans in the motion picture industry. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Asian Americans in motion pictures  |2 fast 
650 7 |a Asian Americans in the motion picture industry  |2 fast 
758 |i has work:  |a Making Asian American film and video (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFRTfKVJd9qtywDYdYGH3P  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Okada, Jun, 1973-  |t Making Asian American film and video  |z 9780813565026  |w (DLC) 2014023226  |w (OCoLC)890011320 
830 0 |a Asian American studies today. 
856 4 0 |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1987643  |y Click for online access 
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