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00000cgm a2200000Mi 4500 |
| 001 |
ocn905663089 |
| 003 |
OCoLC |
| 005 |
20240808213014.0 |
| 006 |
m eo c |
| 007 |
vz bzazuu |
| 007 |
cr bna---auuuu |
| 008 |
150302p20151968fr 040 o vlfre d |
| 040 |
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|a DON
|b eng
|e rda
|c DON
|d OCLCO
|d ORU
|d OCLCF
|d ORU
|d OCLCQ
|d OCLCO
|d OCLCA
|d UAB
|d YUS
|d WYU
|d COO
|d OCLCQ
|d OCLCO
|d OCLCL
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| 019 |
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|a 988148383
|a 1086990272
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| 028 |
4 |
1 |
|a if-bien
|b Docuseek2
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| 035 |
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|a (OCoLC)905663089
|z (OCoLC)988148383
|z (OCoLC)1086990272
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| 041 |
1 |
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|a fre
|j eng
|h fre
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| 043 |
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|a e-fr---
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| 046 |
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|k 1968
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| 050 |
1 |
4 |
|a HD8039.T42
|b A2 2015b
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| 049 |
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|a HCDD
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| 245 |
0 |
0 |
|a À bientot, jéspère =
|b Be seeing you /
|c S.L.O.N. presente ; realisation, Chris Marker, Mario Marret.
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| 246 |
3 |
1 |
|a Be seeing you
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| 257 |
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|a France
|2 naf
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| 264 |
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1 |
|a [Brooklyn, New York] :
|b [Distributed by Icarus Films],
|c [2015]
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|c ©1968
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| 300 |
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|a 1 streaming video file (40 min.)
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| 336 |
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|a two-dimensional moving image
|b tdi
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 546 |
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|a In French with English subtitles.
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| 500 |
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|a Title from title frames.
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| 508 |
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|a Camera, Pierre L'homme ; editing, Carlos de los Llanos.
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| 500 |
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|a Originally produced in 1968; previously released in 2003.
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| 521 |
2 |
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|a 11 and up.
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| 588 |
0 |
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|a Online resource; title from title frames (Docuseek2, viewed March 2, 2015).
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| 520 |
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|a From 1967 to 1976, Chris Marker was a member of SLON (the "Company for the Launching of New Works"), which was based on the idea that cinema should not be thought of solely in terms of commerce. 1967 was also the year an important strike broke out at Rhodiaceta, a textile plant in Besançon, France. Chris Marker and members of SLON visited the city to document the strike and the lives and attitudes of the workers. The film's most important moments are composed of conversations with workers and their wives who believe the working class is at the mercy of a system that would like them to remain powerless. And so it was that their local demands grew to questions about the larger political system.
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|a Strikes and lockouts
|x Textile industry
|z France
|z Besançon.
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| 650 |
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0 |
|a Textile workers
|z France
|z Besançon.
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| 650 |
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0 |
|a Textile workers
|x Labor unions
|z France
|z Besançon.
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| 650 |
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0 |
|a Labor disputes
|z France
|z Besançon.
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| 650 |
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0 |
|a Labor unions
|z France
|z Besançon.
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| 651 |
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0 |
|a Besançon (France)
|x Social conditions.
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| 650 |
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7 |
|a Labor disputes.
|2 fast
|0 (OCoLC)fst00989929
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| 650 |
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7 |
|a Labor unions.
|2 fast
|0 (OCoLC)fst00990260
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| 650 |
|
7 |
|a Social conditions.
|2 fast
|0 (OCoLC)fst01919811
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| 650 |
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7 |
|a Strikes and lockouts
|x Textile industry.
|2 fast
|0 (OCoLC)fst01135262
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| 650 |
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7 |
|a Textile workers.
|2 fast
|0 (OCoLC)fst01148958
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| 650 |
|
7 |
|a Textile workers
|x Labor unions.
|2 fast
|0 (OCoLC)fst01148967
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| 651 |
|
7 |
|a France
|z Besançon.
|2 fast
|0 (OCoLC)fst01206085
|1 https://id.oclc.org/worldcat/entity/E39PBJf4cWK7gtDmtFtwhpkCcP
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| 655 |
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7 |
|a Documentary films.
|2 fast
|0 (OCoLC)fst01710390
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| 655 |
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7 |
|a Nonfiction films.
|2 fast
|0 (OCoLC)fst01710269
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| 655 |
|
7 |
|a Documentary films.
|2 lcgft
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| 655 |
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7 |
|a Nonfiction films.
|2 lcgft
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| 655 |
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7 |
|a Documentaires.
|2 rvmgf
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| 655 |
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|a Films autres que de fiction.
|2 rvmgf
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| 700 |
1 |
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|a Marker, Chris,
|d 1921-2012,
|e film director.
|1 https://id.oclc.org/worldcat/entity/E39PBJvxwVR4cPbPG3FWRJWMT3
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| 700 |
1 |
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|a Marret, Mario,
|d 1920-
|e film director.
|1 https://id.oclc.org/worldcat/entity/E39PBJkddCDpjxcqM3CMfdcVmd
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| 710 |
2 |
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|a Société de lancement des oeuvres nouvelles.
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| 710 |
2 |
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|a Icarus Films.
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| 758 |
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|i has work:
|a À bientot, jéspère (MovingImage)
|1 https://id.oclc.org/worldcat/entity/E39PCH8djtq6C73b9GjXCrtRJC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://docuseek2.com/if-bien
|y Click for online access
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| 903 |
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|a DUS3-EBA
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| 994 |
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|a 92
|b HCD
|