Music and the mind : essays in honour of John Sloboda

Music and the mind : essays in honour of John Sloboda / edited by Irène Deliège, Jane W. Davidson.

The Musical Mind, published in 1985, was written by the relatively unknown John Sloboda. It made ground-breaking inroads in raising crucial questions relating to music's status as a form of human expression and has become the seminal text in the field of music psychology. The scope of that book...

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Bibliographic Details
Other Authors: Deliège, Irène, Davidson, Jane W.
Format: eBook
Language:English
Published: Oxford : Oxford University Press, 2011.
Subjects:
Sloboda, John A.
Music > Psychological aspects.
Music > Psychological aspects
Musik.
Musikpsychologie.
Musikpsykologi.
Online Access:Click for online access
Table of Contents:
  • Music, linguistics, and cognition / Michel Imberty
  • What are the important questions? : A reflection / Eric F. Clarke
  • Developing a young musician's growth mindset : the role of motivation, self-theories, and resiliency / Susan A. O'Neill
  • Negotiating music in the real world : development, motivation, process, and effect / Alexandra Lamont
  • Musical participation : expectations, experiences, and outcomes / Jane W. Davidson
  • How do strong experiences with music relate to experiences in everyday listening to music? / Alf Gabrielsson
  • Music and emotion : seven questions, seven answers / Patrik N. Juslin
  • Salience of melodic tones in short-term memory : dependence on phrasing, metre, duration, register, and tonal hierarchy / Mario Baroni, Rossana Dalmonte, and Roberto Caterina
  • Sloboda and Parker's recall paradigm for melodic memory : a new, computational perspective / Daniel Müllensiefen and Geraint A. Wiggins
  • Musical encounters of the temporary kind / Frederick A. Seddon
  • Routes to adolescent musical expertise / Antonia Ivaldi
  • The musical child prodigy (wunderkind) in music history : a historiometric analysis / Reinhard Kopiez
  • Another exceptional musical memory : evidence from a savant of how atonal music is processed in cognition / Adam Ockelford
  • Off the record : performance, history, and musical logic / Nicholas Cook
  • Expressive variants in the opening Robert Schumann's Arlequin (from Carnaval, op. 9) : 54 pianists' interpretations of a metrical ambiguity / Andreas C. Lehmann
  • Quantifying the beat-inducing properties of conductors' temporal gestures, and conductor-musician synchronization / Geoff Luck
  • Performance cues in singing : evidence from practice and recall / Jane Ginsborg and Roger Chaffin
  • Emotions in motion : transforming conflict and music / Arild Bergh
  • The role of music in the integration of cultural minorities / Richard Parncutt and Angelika Dorfer
  • Postlude : John Sloboda in conversation with Irène Deliège.

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